In a statement echoing Iron Fist’s own sadness and anger toward horrific orders passed by the USA’s newest president in his first week of office, online streaming community Bandcamp have announced that all proceeds from music sold on Friday, February 3 will be donated to the American Civil Liberties Union, who are “working tirelessly to combat these discriminatory and unconstitutional actions”.
Bandcamp founder Ethan Diamond’s letter called out President Trump for his actions, writing, “Last week’s Executive Order barring immigrants and refugees from seven Middle Eastern countries from entering the United States is not simply immoral, it violates the very spirit and foundation of America.”
With its tagline of “Discover new music and the artists who make it”, Bandcamp has become Iron Fist’s go-to source for so many of the bands you read about in our pages, so if you want to support them this Friday (and we urge you do) here a few bands we recommend.
THE ORDER OF THE SOLAR TEMPLE (CANADA) Soundtracking a new era of Satanic Panic, Matt Emery told us in Iron Fist #16 that “All I can say is that I wear my influences on my sleeve. It’s both a blessing and a curse, there’s a lot of ‘70s … Read More
We’ve got to admit something. We slept on Power Trip. We didn’t cover them with their debut album ‘Manifest Decimation’ back in 2013. We thought they were a hardcore band. They are a hardcore band, in ethics, culture and history, but they’re a hardcore band that plays furious thrash a la Sacrilege, Nuclear Assault and early Megadeth. We can feel Dan Lilker tutting at us from afar.
Frontman Riley Gale says he doesn’t mind. He understands. “You look at classic albums like ‘Behind The Realms Of Madness’ by Sacrilege or ‘Best Wishes’ or ‘Age Of Quarrel’ by Cro-Mags, that’s the apex of what I like about aggressive music and the band feels that way too, but we’re very much trying to be ourselves,” he says trying to make us feel good about ourselves, but still making us still feel like idiots for sleeping on such a vital new voice in thrash metal. “Any band wants to have their own identity but our band is almost based on not having an identity so to speak. It’s an interesting place for us to be in ‘cos as we’ve got bigger, people have asked, ‘Well, what are you about? What’s your image?’ and well … Read More
DOWNWARD FACING DOOM: THE ART OF DOOM YOGA
“Meditation is the practice of death” – not a million miles from doom metal then. But seriously what’s the link between doom metal and yoga? Can the two ever happily co-exist? It’s hard to imagine the likes of spindly old Bobby Liebling wrapping his legs behind his head or aligning his chakras, but hey, what do I know? I’m about to find out…
My first encounter with the concept of mixing metal music with yoga came in the heydays of Tumblr, when I saw a post floating around about combining black metal and yoga practice. My initial reaction was to scoff at the notion and had no time for what I considered to be “hippy dippy bullshit”. A few years and a mental breakdown later, I have a different perspective on these things – I regularly practice mindful meditation, to combat my natural dalliance with stress – my calmer mind is a much more open one.
So, when I was offered the chance to partake in a doom metal yoga class, I jumped at the chance, but it wasn’t without apprehension. I have all the flexibility of cheap pine furniture and my idea of a … Read More
HARD ROCK HELL NWOBHM 02 ACADEMY SHEFFIELD
It’s clear that the inaugural HRH NWOBHM festival has piggy-backed on or at least benefited from Brofest’s ability to persuade long-defunct bands to reform. Of the army of acts on the two-day line-up, many have already trodden the Brofest boards. But a good idea is a good idea, and the bands themselves are unlikely to care whether they’re revisiting their glory years in Newcastle, Nuneaton, Newport or – for the next 48 hours – right here in Sheffield. While London has a proud NWOBHM history of its own, it’s somehow fitting to witness this particular event taking place beyond the rapacious event horizon of the Capital. Even during the winter of discontent from which the NWOBHM sprang, the regions – in this case the former mining and heavy industrial hub of South Yorkshire – laboured under an investment and infrastructure deficit when compared to London and the South East in general. Sheffield may have come a long way since 1979, and avoided being nuked a la ‘Threads’, but in the frozen half-light of a December dusk, it’s all too easy for the mind to time-hop back to the bleaker days of Saxon’s ‘Hungry Years’.PERSIAN RISK
As … Read More
London’s SEVEN SISTERS have been kicking around since 2014, steadily building a fanbase and receiving no small share of critical acclaim for their high-energy, NWOBHM-inspired heavy metal. After extensive gigging both in the UK and across Europe, the band have finally released their much anticipated eponymous debut album on High Roller Records.
The album is an extremely polished piece of work, paying homage to early Iron Maiden, amongst others, while avoiding the trap of derivation or the tiresome “tribute” sound. IRON FIST sat down with guitarist GRAEME FARMER to get the skinny on the origin of the band, what inspires them and why the hell they’re named after a nondescript tube station in North London.
Tell us how Seven Sisters got started. How did you all come together as band? Graeme: Me and Kyle had been talking about working on a project together for quite a while, but never really got around to doing anything about it until late 2013/early 2014. I went round his for a jam, and we ended up writing ‘The Warden’ and ‘No Guts, No Glory’ in the space of a few hours. After that, the rest of what became our demo tape came together pretty quickly and we recorded … Read More
German doom rockers Naevus came back this summer with a new album via Bandcamp (and Meta Matter Records), their first since their debut album ‘Sun Meditation’ was released on Lee Dorrian’s Rise Above Records 17 years ago. We got in touch with frontman Uwe Groebel to find out about the new album and what happened to cause the band to split up soon after the release of the debut.
Hi Uwe, Naevus is back with a new album, please tell the readers a bit about your new recording? “Since the release in August we’ve been very pleased with reactions. People seem to like it a lot. It’s a very strong doom metal/rock album, maybe with a slight pop appeal, if I might say that. Some times very melodic. Each song is different in structure and we tried to be creative on this. All in all, it felt so good to write and record as four friends who were together again after so many years. We had a lot of fun.”
This is your first album since the 1998 debut, what are your feelings about that album looking back? “On my side I couldn’t listen to the album for a very long … Read More
On tour in the UK right now, Chicago thrashers OOZING WOUND like to take their metal seriously, but it still oozes fun
“This music is fun and we don’t try to over think it,” states Zack Weil, one third of Chicago’s raddest, anti-bullshit thrash band Oozing Wound. “Most bands don’t understand how cheesy they are, but we do understand how cheesy we are on a base level. You’ve got to be a little Diamond Dave, you can’t be all Glenn Danzig all the time. I mean, we’re not firemen, we’re not saving people’s lives! Sure we are serious about rocking, but why should we posture with arms folded and furrowed brows? You’ve got to keep it in perspective that being in a band is cool! It sure keeps us sane, at least. Outside of the band, everything is serious and a drag. So why not have a good time with music? That’s why we embrace weird humour and puns in our song titles so much” he explains.
A perfect example of this is ‘You Owe Me, Iommi’ – which is the title they gave to their “slow Black Sabbath rip off song on the new album ‘Whatever Forever’.” Couple this clever word play with a … Read More
We’ve been enjoying our recent C90 series. Okay, fair enough, it’s hardly original. What music magazine has not, in one form or another, asked musicians to create a playlist of bands rarely off their turntables? It’s a classic and we have no shame. But this one is especially exciting as it’s actually happening. This is not a fictitious mixtape of songs and bands that inspired the artist, this is a list of songs and bands that the artist – none only than King Fowley of the mighty Deceased – has covered and gathered together on the aptly-titled ‘Metal Massacre 31’ with his equally mighty band October 31. Out on November 25 via Hells Headbangers King kindly explained his reasons behind each cover and offered us the first full stream of the album to get your teeth into. If you’re a sucker for those early Metal Blade compilations and love early American heavy metal from Hallows Eve to Omen then this will get your engines revving. All hail King Fowley. All hail ‘Metal Massacre’ compilations. All hail propa ‘eavy metal.
STREAM ‘METAL MASSACRE 31‘
Metal Massacre 31 by OCTOBER 31
1. ‘Cross My Way’ by DEATH DEALER “This is track 2 from ‘Metal Massacre 4’. A killer French Canadian … Read More
It may seem like aeons since our last issue but we’re back and raring to go and continue our indulgence in all things denim, leather and everything in between! Heavy metal will never die! Patience is a virtue and we hope you’ll be rewarded with the enjoyment everything in these 100 pages will bring.
The Queen of metal, Doro graces our cover to celebrate her 30th anniversary in service. And as well as our chat with Ms Pesch, this issue features some of the most revered bands including the ultimate power trio Budgie, the UK’s longest serving thrash band Onslaught, a retrospective look at one of Germany’s best metal labels, Noise Records and a welcome return to Aussie underdog Hobbs Angel Of Death. Staying Down Under, we talk to the notorious Destroyer 666 about how wildfire is needed to create a new underground and Annick Giroux heads beneath the Southern Cross in her regular World Downfall column. We also launch a brand new regular section, Pictured Life, that casts a well -deserved spotlight on some of the great cover art artists from the world of heavy metal, kicking off with a close look at the latest coffee table book featuring art from Timo … Read More
Two decades of doom dealing could easily take its toll on lesser bands, but Dorset’s ELECTRIC WIZARD have taken all that misanthropy, occult leanings and horror fanaticism and weaved it into an eighth album of dreary, but omnipotent intent. Back in 2014 line-up and label woes, paranoia and over-indulgence were been thrown into the cauldron and the result, ‘TIME TO DIE’ made the band never sound more alive. Jim Martin spoke to JUS ORBORN for Iron Fist back in Issue 12 and we’ve dug it out of the archives in time for their headline slot at tomorrow’s DAMNATION FESTIVAL in Leeds…
The tranquil sound of a mountain stream drifting through a forest. Not something one would naturally associate with Electric Wizard, but this is how their new album, the intimidating ‘Time To Die’ kicks off, and in such a fashion that one could be forgiven for assuming they’ve purchased the wrong record. That is, until the distinct strains of a Hammer-style Hammond, ’60s garage drumming, and sampled news reports concerning Satanism drift into view through the ether, and the rural paradise proves short-lived. “On one level it reminds people that we’re from Dorset, just to get people back to our frame of mind … Read More
Copyright © 2017 Iron Fist Magazine. All Rights Reserved.