Iron Fist Magazine

HIT THE LIGHTS: ROADBURN FESTIVAL 2013

“Come, My Fanatics” It’s taken a good long while for me to write this reminiscence, much to Louise’s chagrin. It’s not my fault, though, I swear. After all, one does not simply review Roadburn. You’ve got to experience it first, let the dust settle, let it all sink in. There have been memories made, friendships forged, maybe a broken heart or beer bottle to contend with, and above all, there was the music – that glorious swirling cacophony of heavy riffs, howling voices, spacey trips, crushing melodies, industrial clangs, and even the odd blastbeat. So savour it. Swish it around your mouth like a dram of Laphroaig, and drink it down straight. Soak it all up like that first sunbeam after a bitter cold winter, and let yourself start counting the days ‘til your next stroll past the Cul de Sac and through the 013’s doors. We here at Iron Fist have what you might call a bit of a soft spot (read: all-consuming passion) for this most unique and welcoming of festivals, and are endlessly grateful to the wonderful Roadburn staff for inviting us along on their cosmic journey. 2013 was the best year yet, but then again, we say … Read More

INTO BATTLE: SATAN’S WRATH

“The funny thing is that I’m not even a doom fan at heart! I’ve been playing in bands since 1987 in many different sub-genres but somehow the only ones who really had an impact were in the doom category. But believe me, Satan’s Wrath is a whole different beast!” Indeed, less than a minute into debut album ‘Galloping Blasphemy’, ‘Show No Mercy’ era Slayer, Bathory and early Celtic Frost spring to mind more than Black Sabbath’s heavy stampede and samples of rainfall and thunder in the distance. But such expectations are understandable, because besides having impressive facial tattoos, it’s with bands falling into that doom category – first, with the short-lived but awesome Great Coven and Eight Hands Of Kali and then with Electric Wizard – that the Greek-born Taz Danazoglou really made a name for himself.

Despite being spawned right after his exit from the Wiz, Satan’s Wrath is not just a way for him to reconnect with his roots though. “I’ve been playing in bands for a quarter of a century so I didn’t even considered stopping now,” Taz says. “I was always first and foremost a heavy and thrash fan so I wanted to pay tribute to the metal from … Read More

Latest Issue

Facebook