On tour in the UK right now, Chicago thrashers OOZING WOUND like to take their metal seriously, but it still oozes fun
“This music is fun and we don’t try to over think it,” states Zack Weil, one third of Chicago’s raddest, anti-bullshit thrash band Oozing Wound. “Most bands don’t understand how cheesy they are, but we do understand how cheesy we are on a base level. You’ve got to be a little Diamond Dave, you can’t be all Glenn Danzig all the time. I mean, we’re not firemen, we’re not saving people’s lives! Sure we are serious about rocking, but why should we posture with arms folded and furrowed brows? You’ve got to keep it in perspective that being in a band is cool! It sure keeps us sane, at least. Outside of the band, everything is serious and a drag. So why not have a good time with music? That’s why we embrace weird humour and puns in our song titles so much” he explains.
A perfect example of this is ‘You Owe Me, Iommi’ – which is the title they gave to their “slow Black Sabbath rip off song on the new album ‘Whatever Forever’.” Couple this clever word play with a … Read More
We’ve been enjoying our recent C90 series. Okay, fair enough, it’s hardly original. What music magazine has not, in one form or another, asked musicians to create a playlist of bands rarely off their turntables? It’s a classic and we have no shame. But this one is especially exciting as it’s actually happening. This is not a fictitious mixtape of songs and bands that inspired the artist, this is a list of songs and bands that the artist – none only than King Fowley of the mighty Deceased – has covered and gathered together on the aptly-titled ‘Metal Massacre 31’ with his equally mighty band October 31. Out on November 25 via Hells Headbangers King kindly explained his reasons behind each cover and offered us the first full stream of the album to get your teeth into. If you’re a sucker for those early Metal Blade compilations and love early American heavy metal from Hallows Eve to Omen then this will get your engines revving. All hail King Fowley. All hail ‘Metal Massacre’ compilations. All hail propa ‘eavy metal.
STREAM ‘METAL MASSACRE 31‘
Metal Massacre 31 by OCTOBER 31
1. ‘Cross My Way’ by DEATH DEALER “This is track 2 from ‘Metal Massacre 4’. A killer French Canadian … Read More
It may seem like aeons since our last issue but we’re back and raring to go and continue our indulgence in all things denim, leather and everything in between! Heavy metal will never die! Patience is a virtue and we hope you’ll be rewarded with the enjoyment everything in these 100 pages will bring.
The Queen of metal, Doro graces our cover to celebrate her 30th anniversary in service. And as well as our chat with Ms Pesch, this issue features some of the most revered bands including the ultimate power trio Budgie, the UK’s longest serving thrash band Onslaught, a retrospective look at one of Germany’s best metal labels, Noise Records and a welcome return to Aussie underdog Hobbs Angel Of Death. Staying Down Under, we talk to the notorious Destroyer 666 about how wildfire is needed to create a new underground and Annick Giroux heads beneath the Southern Cross in her regular World Downfall column. We also launch a brand new regular section, Pictured Life, that casts a well -deserved spotlight on some of the great cover art artists from the world of heavy metal, kicking off with a close look at the latest coffee table book featuring art from Timo … Read More
Two decades of doom dealing could easily take its toll on lesser bands, but Dorset’s ELECTRIC WIZARD have taken all that misanthropy, occult leanings and horror fanaticism and weaved it into an eighth album of dreary, but omnipotent intent. Back in 2014 line-up and label woes, paranoia and over-indulgence were been thrown into the cauldron and the result, ‘TIME TO DIE’ made the band never sound more alive. Jim Martin spoke to JUS ORBORN for Iron Fist back in Issue 12 and we’ve dug it out of the archives in time for their headline slot at tomorrow’s DAMNATION FESTIVAL in Leeds…
The tranquil sound of a mountain stream drifting through a forest. Not something one would naturally associate with Electric Wizard, but this is how their new album, the intimidating ‘Time To Die’ kicks off, and in such a fashion that one could be forgiven for assuming they’ve purchased the wrong record. That is, until the distinct strains of a Hammer-style Hammond, ’60s garage drumming, and sampled news reports concerning Satanism drift into view through the ether, and the rural paradise proves short-lived. “On one level it reminds people that we’re from Dorset, just to get people back to our frame of mind … Read More
SAXON, FASTWAY & GIRLSCHOOL BRISTOL O2 Academy
There have been a few cynical murmurings regarding this tour package since the announcement that Saxon and Girlschool would take to the road together in the wake of their planned tour with Motorhead not coming to fruition for reasons well known; voices from card-carrying fans of all things NWOBHM and beyond, dismissing it as a nostalgia trip and nothing more. However, we at the Fist, as well as our readership, like to buy the ticket and take the ride before passing judgment. The thought of seeing these stalwarts in the flesh one more time, especially with the return to the live arena of “Fast” Eddie Clarke of Motorhead infamy supporting with his resurrected group Fastway, is more than enough reason to brave the November rain and even an O2 venue. The near-sold out crowd waiting to pass through the turnstiles goes to show that in Bristol at least, it seems the metal crowd isn’t too pessimistic.
Opening proceedings is London’s loud and lairy daughters Girlschool who, though squeezed into an odd formation owing to playing in front of both Saxon and Fastway’s drum kits, ease the growing crowd into the feel of things. … Read More
Spitting black fire since 2000, Vornth have followed their self-titled 2013 debut with a second album of Venom-ous filth. ‘Black Pyres’ is out today as a Samhain offering, with lashings of Teutonic thrash fury, blackened ire and traditional heavy metal speed. Hailing from Sweden, the band have returned to the Iron Tyrant family – home of Profanal, Mortuary Drape and Culte Des Ghoules – and feature Janne Rimmerfors on battery, Ewil Johansson on bass and Erik Blackflexer on guitars.
Citing “our own Electric Blood” as their only influence (despite hearing Kreator, Destruction, Mercyful Fate and even early Candlemass proudly in their sound) they say of today’s heavy metal scene that “Rock ‘n’ roll should be strong and alive. Metal should be more strong and more alive.”
We couldn’t agree more. “We chose Iron Tyrant and they chose us,” Erik continues of working with such an eminent underground heavy metal stable. “It’s a brotherhood if you like. You always see who and which bands are going strong when times get rough; that is the real difference between illusion and the definitive. We feel part of a community of hard working musicians and artists that fight with integrity no matter what. We are Vornth which we have proven a long time … Read More
NYC noise duo Uniform have gotten into the Halloween spirit by trick or treating (depending on where you stand on their take on the Gods) us with a cover of Sabbath’s ‘Symptom Of The Universe’. Taken from their brand new 12″ ‘Ghosthouse’, out via Sacred Bones Records, their version is a tad more bleaker than the “summer skies of love” of the lyrics.
Sabbath are no strangers to having their catalogue covered; it’s a standard go-to for almost all burgeoning bands jamming in garages around the world, and most covers tend to stick pretty close to the original. We here at Iron Fist want to tip our cap to the brave and downright blasphemous, like Uniform, who take the blueprint laid down by Iommi and co, and fuck with it. Here are a few of our favourite shocking takes on the Sabs from over the years…
LISTEN TO UNIFORM’S ‘SYMPTOM OF THE UNIVERSE’:
Ghosthouse by Uniform
GONGA – BLACK SABBETH – FEATURING BETH GIBBONS Black Sabbeth by GONGA This one came out of the leftfield, as who knew trip hop chanteuse Beth Gibbons from Portishead would lend her ethereal charm to Sabbath’s self-titled classic so flawlessly. But back in 2014, Bristol-based doom trio Gonga not only … Read More
Leif’s a busy guy. Which is surprising since he promised us all he needed a break from his main vehicle of doom, Candlemass. While he’s stepped away from performing with the three-decade-old gloom godfathers, he still had time to record an EP with them this year (‘Death Thy Lover’, Napalm Records), finish Avatarium‘s second album late last year (‘The Girl With The Raven Mask’, Nuclear Blast) and form a new band, The Doomsday Kingdom.
The band’s demo EP ‘Never Machine’ will be out on November 25 via Nuclear Blast marking Leif’s new reign of doom metal.
“I’m so happy that things are moving in the right direction,” Leif comments. “I’ve been putting my heart and soul into the new EP and album for about two and a half years now. So it’s very relieving to finally see an end to all the work. Soon the world will hear the sound of the catacombs coming to life! “I’m currently doing the final touches to the album. It is recorded, mixed and mastered, and has come out absolutely fantastic! Just a few graphic things left with photos, booklet etc. and then it will be ready. I’m very proud of this album! It sounds so good, therefore the visual aspect … Read More
As one of the world’s most groundbreaking metal masters prepare to release a brand new album (see the video below for a sneak peak) we look back to the creation of one of extreme metal’s most influential albums. In 1990 it would perhaps not be as noteworthy were it created in the West, but behind the Iron Curtain, in what was then Czechoslovakia, it faced the threat of arrest and even imprisonment. GUY STRACHAN spoke to BIG BOSS of ROOT about the making of ‘ZJEVENI’
Although ‘Zjeveni’ sees its 25th anniversary being celebrated with a deserved re-release courtesy of the I Hate label and the debut album of long-standing Czech black metallers Root is rightly held up as one of the early foundations of the second wave of black metal, the band’s leader and vocalist, Jiří ‘Big Boss’ Valter, is today less than keen to discuss the work. “You must know I’m 63 [years] old and I forgot a lot of things from that era,” he says by way of a preface to his email interview, “and now we prepare and work on [our] tenth album.”
The son of a university professor, Valter grew up in a musical household in the town … Read More
Snotty, brash, Entombed and Darkthrone worshipping metalpunks OKKULTOKRATI are about to lay waste to the UK next week with a short tour of London, Sheffield and Birmingham. With a new video for ‘Magic People’ from their blistering new album ‘Raspberry Dawn’ just released we caught up with the band to find out what songs will be on the van’s clapped out cassette player as they drive between the homes of Sabbath and Priest. Out now on Southern Lord, their label’s boss Greg Anderson described them best: “Fucked up in all the right places! Super original and I can say that I’ve definitely never heard anything like this! Visions of Bauhaus and Darkthrone listening to Joy Division albums by torchlight in the dark forests of Oslo.” Actually that’s something we can imagine Fenriz doing… enjoy the sounds of darkness
The Spits – ‘Tomorrow’s Children’ “This is our favourite band.”
Emperor – ‘Cosmic Keys to My Creations And Times’ “Imagine being 17 and writing songs like this…”
New Order – ‘Dreams Never End’ “We covered this song on all of our tours in 2014. I like to think we took something from that song, and New Order in general, with us into the new album.”
Alan Vega – ‘Ghost Rider’ “Obvious pick, … Read More
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