Iron Fist Magazine

INTO BATTLE: POSSESSION

Even if they only had their first ever rehearsal back in December 2012, Possession are already making a stir in the underground with their debut demo ‘His Best Deceit’. Pressed initially on tape (at 666 copies of course) and now available on CD courtesy of Invictus Productions, this quartet led by Mestema on vocals are completed by Viriakh (bass), I.Dveikus (guitars) and PzKpfw (drums).

Performing a hybrid of thrash, black and death with shrieking vocals that betrays none of its Belgium roots, Possession are adamant about how “spontaneous” the whole thing has been from day one. “We recorded our demo live in the studio because we didn’t feel like spending hours overdubbing minor sound issues and mistakes,” specifies Mestema. “Instead of that, we thought that the bestiality and the energy of our music were far more important things to capture. We think this example clearly shows the way we see our band: we try to work seriously but we refuse to let some details turn into some exhausting pain in the ass. We wouldn’t call ourselves thrash or even black thrash but still we can understand why some people tend to label us as thrash. At the end of the … Read More

AEVANGELIST INTERVIEW: “WHEN YOU REACH INTO THE VOID YOU NEVER KNOW WHAT’S GOING TO PULL YOU OUT”

The Portland black metal scene is famous for twisting and manipulating the blackened template into whole new forms, but MATRON THORNS, former collaborator with Bethlehem, has come up with a new nightmarish vision that he believes takes the essence of the genre right back to its pure evil roots. OLIVIER ‘ZOLTAR’ BADIN gets a sermon from the ÆVANGELIST…

How do you come up with such a strange and disturbed entity like Ævangelist? Matron Thorns: “With no particular agenda in mind, I’d say. We don’t approach music with any specific genre in mind. As the title of this album implies, it’s meant to be an experience happening to you as opposed to something you are only listening to. We wanted to take the idea of evil in music out of the realm of just hypothetical.”

It is almost as if your music was strongly seeking to install an almost masochist relationship with the listener. To many, it’ll sound much too chaotic and suffocating, yet those who’ll dare look into it will most probably end up being drawn to it, as if they were looking to be swallowed by the void it created… “When you’re saying that, I can’t help but recall the ’90s when it … Read More

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