To many, doom is the molasses-thick primordial sludge found at the lower reaches of the guitar’s tonal range. For others, it’s the molasses-thick primordial sludge found around rim of their favourite bong. For Alastair Riddell of heavy metal doom band, Brule, “doom is the ‘Tempter’ by Trouble; anything else is just an added bonus”; an austere definition perhaps, but one that chimes with the existential obscurity that underpins the genre.
Reminiscent of Pentagram with Kyuss and, indeed, Trouble, London’s Brule will more than satisfy orthodox doom tastes but it is their broad creative palate, taking in psychedelic rock and meat-n-potatoes ’70s rock, that sets them apart from the Wizard-Bong-Witch cliches of much that passes for contemporary doom.
“The main influences are the Maiden, Rainbow, Grand Funk, Trouble, Scorpions, WASP, Vitus, Pentagram, Bang, Rush, Saxon, Witchfinder General, Purple and Gillan’s solo albums, Accept and Manowar,” Riddell lists. “However there is also stuff like the obvious ’60s bands – The Who, Kinks, Stones, MC5 and even the Beatles, but also a lot of the proto-metal and early heavy prog bands as well. The genre name is not really all that important; the quality is what matters, whether it’s Budgie or Bathory, Acid or Aphrodites … Read More
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