Geordie HM veterans Satan have signed a multiple album deal with Metal Blade and has just finished recordings for their tentative new album to be released during the second half of 2018.
“Metal Blade is part of Satan’s past and we are super excited for it to be part of our future. It seems so fitting, it’s hard to imagine another label that could give us a better platform for our music today”.
Leading lights of the the early 80’s post-NWOBHM movement and responsible for ’83’s seminal Court In the Act and ’87’s Suspended Sentence, with their tentative new album Satan make it abundantly clear that in 2018 they are not interested in simply capitalising on past glories. Comprised of 10 tracks of searing metal, it is blatantly and profoundly the work of the Newcastle upon Tyne natives at their very best, infusing their signature sound with a more raw, wild and spontaneous vibe than they showcased on 2015’s mighty Atom By Atom, in the process displaying more passion and energy than slews of bands half their age.
Keep up to date with Satan online:
Swedish quintet Spiral Skies are set to release their long-awaited debut, full-length album, ‘Blues For A Dying Planet’, on May 18th via the German imprint AOP Records.
With influences ranging over decades, Spiral Skies has created a sound that can most easily be described as “Rock from another planet.” A unique blend of folk, doom and 70’s inspired rock music. The band has been compared to band such as Jefferson Airplane, Curved Air and as well as more modern outfits grouped under the Occult Rock tag.
Check out “Danse Macabre” here
Evolving with every release, ELECTRIC WIZARD have created another mind-scrambling epic in the guise of ninth opus ‘Wizard Bloody Wizard’. JIM MARTIN talks to frontman JUS OBORN about its creation, celebrating the roots of heavy metal, taking control of his musical destiny and the quest for the ultimate rock ‘n‘ roll excess for Iron Fist issue 20 January 16th, 2018 marks the fiftieth anniversary of Blue Cheer’s ‘Vincebus Eruptum’, arguably the first bona fide heavy metal album of ‘em all. Moreover, somewhere in the subconscious of every metalhead – amidst the destroyed braincells and reckless pandemonium they’ve experienced in the last half-century, lurks a certain sense of this genre’s own big bang – that period from 1968 to 1973 wherein the ‘60s bled into the ‘70s, the idealistic dreams of the hippy generation began to curdle amidst violence and bloodshed from Vietnam, Altamont and the Manson family alike, and horror both real-life and imagined began to influence a feverish lurch into overdrive and dementia – reaching its apotheosis naturally with the first Black Sabbath album in 1970, amidst psychic shockwaves which still resonate well into the next century. “I don’t think there was very much of a template for what heavy music … Read More
After 25 years, California metal masters CIRITH UNGOL have hauled their undead corpses from an untimely grave. IRON Fist scribe J. BENNETT spoke with drummer and co-founder Rob Garven about life, death and resurrection.
Originally printed in Iron Fist Issue 19
It’s a Tuesday evening in late August, and Cirith Ungol are sweating their balls off in a Ventura, California practice space. “Some previous band blew up the air conditioner so when we come in here at night it’s like 100 degrees,” drummer Rob Garven explains. “We were gonna fix it but it’s like $10,000, so we bought a fan instead.”
A few weeks after we speak with Rob, Cirith Ungol will play their first show in 25 years when they headline the Frost and Fire Festival, a weekend-long metal extravaganza in Ventura that will also feature appearances from elder statesmen Grim Reaper, Omen and Ashbury alongside young guns Midnight, Visigoth and Night Demon. For Rob and his bandmates — vocalist Tim Baker, guitarist Greg Lindstrom and guitarist Jim Barraza (with Night Demon main man and festival organizer Jarvis Leatherby filling in on bass) — it’s pure vindication for a career plagued with label calamities, poor timing and bad luck. The band slugged … Read More
Swedish death metal veterans Sarcasm have recently unleashed an album (yes, an actual album!) full of dark melodies, razor sharp riffing, atmospheric passages and catchy hooks. ‘Within The Sphere Of Ethereal Minds’ (recently released on Dark Descent) takes the listener on a multi-faceted musical journey with many twists and turns that takes you right back to the glory days of the early to mid ’90s melodic death metal scene before the genre became oversaturated and commercialised. There is a blackened edge to their aural aggression too much in the same vein as their fellow countrymen Unanimated and Dissection. Iron Fist spoke with frontman Heval Bozarslan to find out more about the album and comeback.
Your latest full-length ‘Within The Sphere Of Ethereal Minds’ just came out, what can we expect and are you pleased with it? They can expect 35 minutes of jaw-dropping, ball-crushing, catchy yet face-melting death metal. I’m more than satisfied, even though I listened to the pre-production demos a thousand times and knew that this material was strong I didn’t know it would turn out this good. All the people involved really gave 100 percent and believed in this. And so far the reaction from people who have heard it … Read More
Get your Scandinavian leather ready, this weekend Desertfest tempt the Norse sexgods TURBONEGRO back to Camden, for their first London show in almost five years. We caught up with apocalyptic bass-dude, Happy Tom to find out what kept them so long, and what tuck shop treat he wants on his rider, and what the hell is he doing in Central America with Mayhem…
Hang on, what’s this? You made a documentary about Mayhem?
No, I mean I’m actually not that much of a documentary maker, I’m more of a talk show host. I have a panel show on national Norwegian television, called ‘The Welfare Office’, because in Norway there is a welfare office. It’s known to be the place where you come with your problems, but when you leave, you have even more. So that’s the concept of this debate show. It’s a pretty serious thing, but we have some funny stuff in there too. That’s been going on for 12 seasons now and we figured there’s so many panel shows, let’s start making documentaries. So we made a documentary about a woman in North London who, by accident, was sent to Auschwitz as a child, which was a fascinating story. And then, I’m an American … Read More
Craven Idol return with a crash of thunder after almost four years of deadly silence. Not only do the London Black metallers have a killer new release, ‘Shackles Of Mammon’ (Via Dark Descent on April 14), they will also open for Nifelheim at the Underworld on May 26. All this with a brand new line-up, as guitarist Scourger and drummer Volgard, have been replaced by Obscenitor (also of Crom Dubh) and Heretic Blades.
“We entered Greg Chandler’s Priory Studios last year and emerged a week later with around 40 minutes of old school extreme metal swearing by the legacy of the first god.” That’s how frontman Wrath starts his epic story about their latest album, which the band launch with a gig at The Black Heart, Camden, this Saturday April 8.
“Our new album ‘The Shackles Of Mammon’ is more varied and way more aggressive than its predecessor ‘Towards Eschaton’,” he continues. “It is a ‘complete’ album with significantly better song-writing and a rawer, old school production. Greg Chandler, from Esoteric, is a brilliant producer and we spoke to him at length during the run-up to the session, and we had a clear vision for the sound. I had in mind the first wave … Read More
There are always those bands you’ve never heard of, but worth every single note when you do finally stumble upon them. For many readers out there, Quicksand Dream from Sweden might be such a band. Born from the ashes of an old cult act named Epic Irae, Quicksand Dream took shape as duo with Göran Jacobson (vocals) and Patrick Backlund (all instruments) performing music from the heart, inspired by Black Sabbath, Cirith Ungol, Manilla Road and similar iconic legends. Sixteen years after their debut album (that got a proper release years later) they came back with ‘Beheading Tyrants’, without the urge to follow a specific style, but rather give something personal to a dedicated audience. The music of Quicksand Dream has a strong and solid vibe from the past, and Patrick Backlund is here to explain the dream…
Before Quicksand Dream, there was Epic Irae. Give us a brief recap of your early years in music, the creation of Epic Irae and the transformation to Quicksand Dream. Epic Irae was the original name of the band, formed by a bunch of schoolmates in the autumn of 1988 inspired by the likes of Candlemass, Manilla Road, Cloven Hoof, Stormwitch and Celtic Frost to … Read More
German death metallers Venenum have recently unleashed their debut full length album ‘Trance Of Death’ upon the extreme music scene via Sepulchral Voice Records, a multi-faceted album full of twists and turns that will slowly coil it’s way around your senses upon listening.
We caught up with vocalist/bassist F.S.A (who joins P.T. on guitars, D.P. on guitars and keys, and F.J.L on drums) to find out more about the album and gain more of an insight into the dark musical world of this very exciting new malevolent force in death metal.
Your debut album is due to be unleashed in the near future – what can the readers expect from your first full-length offering? Immense. Intense. In trance.
Where was the album recorded? The album was recorded at Tonstudio Katzer in Nuremberg, Germany. Our new guitarist suggested Romin Katzer because he did an internship at his old studio once. Since we hadn’t made up our mind on where to record the album, we visited Romin at his new studio, which is close by where we live and instantly knew that we wanted to work with him. At first we only booked one week with the focus on getting the drum tracks … Read More
With Desertfest London coming up soon we thought we would dredge the archives for some interviews to get you in the mood. Back in Iron Fist #16 SATAN’S SATYRS mastermind CLAYTON BURGESS talked with J. BENNETT about Satanic lesbian films, life as Electric Wizard’s bass player and reluctantly entering the 21st Century
Clayton Burgess doesn’t have a smartphone. The Satan’s Satyrs vocalist, bassist and all-around mastermind explains this while apologising for being all of five minutes late for Iron Fist’s call. “I’m holding out for as long as I can,” he says with a laugh. “The funny thing is, I just got my first iPod in my life yesterday, so I’m still coming to grips with that.”
Anyone who’s heard the Satyrs’ howling retro fuzz rock or seen photos of Burgess stalking the graveyards of his Virginia hometown in black flares and battle vest might not be surprised to learn that our man prefers the pre-cell phone, pre-Internet, pre-mp3 good ol’ days, when land lines, the local library and physical formats were the natural world order. “I do buy a lot of CDs – as well as vinyl, of course – but I got tired of bringing them everywhere I went because I’m … Read More
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