German death metallers Venenum have recently unleashed their debut full length album ‘Trance Of Death’ upon the extreme music scene via Sepulchral Voice Records, a multi-faceted album full of twists and turns that will slowly coil it’s way around your senses upon listening.
We caught up with vocalist/bassist F.S.A (who joins P.T. on guitars, D.P. on guitars and keys, and F.J.L on drums) to find out more about the album and gain more of an insight into the dark musical world of this very exciting new malevolent force in death metal.
Your debut album is due to be unleashed in the near future – what can the readers expect from your first full-length offering? Immense. Intense. In trance.
Where was the album recorded? The album was recorded at Tonstudio Katzer in Nuremberg, Germany. Our new guitarist suggested Romin Katzer because he did an internship at his old studio once. Since we hadn’t made up our mind on where to record the album, we visited Romin at his new studio, which is close by where we live and instantly knew that we wanted to work with him. At first we only booked one week with the focus on getting the drum tracks … Read More
With Desertfest London coming up soon we thought we would dredge the archives for some interviews to get you in the mood. Back in Iron Fist #16 SATAN’S SATYRS mastermind CLAYTON BURGESS talked with J. BENNETT about Satanic lesbian films, life as Electric Wizard’s bass player and reluctantly entering the 21st Century
Clayton Burgess doesn’t have a smartphone. The Satan’s Satyrs vocalist, bassist and all-around mastermind explains this while apologising for being all of five minutes late for Iron Fist’s call. “I’m holding out for as long as I can,” he says with a laugh. “The funny thing is, I just got my first iPod in my life yesterday, so I’m still coming to grips with that.”
Anyone who’s heard the Satyrs’ howling retro fuzz rock or seen photos of Burgess stalking the graveyards of his Virginia hometown in black flares and battle vest might not be surprised to learn that our man prefers the pre-cell phone, pre-Internet, pre-mp3 good ol’ days, when land lines, the local library and physical formats were the natural world order. “I do buy a lot of CDs – as well as vinyl, of course – but I got tired of bringing them everywhere I went because I’m … Read More
The notorious Cleveland-based Midnight recently unleashed another punked-up metal massacre with the ‘Shox Of Violence’ EP via Hells Headbangers. It features four new songs and acts as a stop gap between the last album ‘No Mercy For Mayhem’ (released in 2014) and the upcoming new full-length. There is a compilation with the same title, which has also recently just come out, featuring the new EP plus a veritable feast of bonus cover songs, demo tracks and live recordings, including a couple of Venom covers, a host of covers by punk bands such as The Spits and Pagans, as well as Girlschool, Quiet Riot amongst others, all of which have been given the dirty, unholy and rotten Midnight treatment. We caught up with mainman/guitarist/vocalist/songwriter Athenar to find out more about the EP, compilation and the current activities of the band.
You have a new EP and compilation ‘Shox Of Violence’, can you elaborate on what this new release contains and what the readers can expect in comparison to the last full-length? Athenar: It’s a four song EP of tunes to blast out of your stereo! Please don’t expect much, keep your expectations in life low; it’s much easier that way. I don’t wanna … Read More
In a statement echoing Iron Fist’s own sadness and anger toward horrific orders passed by the USA’s newest president in his first week of office, online streaming community Bandcamp have announced that all proceeds from music sold on Friday, February 3 will be donated to the American Civil Liberties Union, who are “working tirelessly to combat these discriminatory and unconstitutional actions”.
Bandcamp founder Ethan Diamond’s letter called out President Trump for his actions, writing, “Last week’s Executive Order barring immigrants and refugees from seven Middle Eastern countries from entering the United States is not simply immoral, it violates the very spirit and foundation of America.”
With its tagline of “Discover new music and the artists who make it”, Bandcamp has become Iron Fist’s go-to source for so many of the bands you read about in our pages, so if you want to support them this Friday (and we urge you do) here a few bands we recommend.
THE ORDER OF THE SOLAR TEMPLE (CANADA) Soundtracking a new era of Satanic Panic, Matt Emery told us in Iron Fist #16 that “All I can say is that I wear my influences on my sleeve. It’s both a blessing and a curse, there’s a lot of ‘70s … Read More
DOWNWARD FACING DOOM: THE ART OF DOOM YOGA
“Meditation is the practice of death” – not a million miles from doom metal then. But seriously what’s the link between doom metal and yoga? Can the two ever happily co-exist? It’s hard to imagine the likes of spindly old Bobby Liebling wrapping his legs behind his head or aligning his chakras, but hey, what do I know? I’m about to find out…
My first encounter with the concept of mixing metal music with yoga came in the heydays of Tumblr, when I saw a post floating around about combining black metal and yoga practice. My initial reaction was to scoff at the notion and had no time for what I considered to be “hippy dippy bullshit”. A few years and a mental breakdown later, I have a different perspective on these things – I regularly practice mindful meditation, to combat my natural dalliance with stress – my calmer mind is a much more open one.
So, when I was offered the chance to partake in a doom metal yoga class, I jumped at the chance, but it wasn’t without apprehension. I have all the flexibility of cheap pine furniture and my idea of a … Read More
German doom rockers Naevus came back this summer with a new album via Bandcamp (and Meta Matter Records), their first since their debut album ‘Sun Meditation’ was released on Lee Dorrian’s Rise Above Records 17 years ago. We got in touch with frontman Uwe Groebel to find out about the new album and what happened to cause the band to split up soon after the release of the debut.
Hi Uwe, Naevus is back with a new album, please tell the readers a bit about your new recording? “Since the release in August we’ve been very pleased with reactions. People seem to like it a lot. It’s a very strong doom metal/rock album, maybe with a slight pop appeal, if I might say that. Some times very melodic. Each song is different in structure and we tried to be creative on this. All in all, it felt so good to write and record as four friends who were together again after so many years. We had a lot of fun.”
This is your first album since the 1998 debut, what are your feelings about that album looking back? “On my side I couldn’t listen to the album for a very long … Read More
On tour in the UK right now, Chicago thrashers OOZING WOUND like to take their metal seriously, but it still oozes fun
“This music is fun and we don’t try to over think it,” states Zack Weil, one third of Chicago’s raddest, anti-bullshit thrash band Oozing Wound. “Most bands don’t understand how cheesy they are, but we do understand how cheesy we are on a base level. You’ve got to be a little Diamond Dave, you can’t be all Glenn Danzig all the time. I mean, we’re not firemen, we’re not saving people’s lives! Sure we are serious about rocking, but why should we posture with arms folded and furrowed brows? You’ve got to keep it in perspective that being in a band is cool! It sure keeps us sane, at least. Outside of the band, everything is serious and a drag. So why not have a good time with music? That’s why we embrace weird humour and puns in our song titles so much” he explains.
A perfect example of this is ‘You Owe Me, Iommi’ – which is the title they gave to their “slow Black Sabbath rip off song on the new album ‘Whatever Forever’.” Couple this clever word play with a … Read More
Two decades of doom dealing could easily take its toll on lesser bands, but Dorset’s ELECTRIC WIZARD have taken all that misanthropy, occult leanings and horror fanaticism and weaved it into an eighth album of dreary, but omnipotent intent. Back in 2014 line-up and label woes, paranoia and over-indulgence were been thrown into the cauldron and the result, ‘TIME TO DIE’ made the band never sound more alive. Jim Martin spoke to JUS ORBORN for Iron Fist back in Issue 12 and we’ve dug it out of the archives in time for their headline slot at tomorrow’s DAMNATION FESTIVAL in Leeds…
The tranquil sound of a mountain stream drifting through a forest. Not something one would naturally associate with Electric Wizard, but this is how their new album, the intimidating ‘Time To Die’ kicks off, and in such a fashion that one could be forgiven for assuming they’ve purchased the wrong record. That is, until the distinct strains of a Hammer-style Hammond, ’60s garage drumming, and sampled news reports concerning Satanism drift into view through the ether, and the rural paradise proves short-lived. “On one level it reminds people that we’re from Dorset, just to get people back to our frame of mind … Read More
A love for hard rock and heavy metal convinced two school friends, and the singer’s younger sister, aged just nine at the time, to form a band. That band would go on to win them support slots with the likes of Iron Maiden, front covers of Kerrang! and record deals with major labels. And now they’re back! GREG MOFFIT meets ROCK GODDESS and discovers that LOVE LINGERS STILL
Formed in Wandsworth, south London in 1977, Rock Goddess were one of the few all-girl rock bands of their era. The original line-up of sisters Jody (guitar/vocals) and Julie Turner (drums) alongside bassist and school friend Tracey Lamb released just two albums at the height of their fame, but they remain one of the most memorable acts from the NWOBHM, and not just as members of the fairer sex. In ’77, Jody and Tracey were a mere thirteen – that’s one three – years old, while Julie was – wait for it – just nine. They may have still been several years away from gigging or recording, but their sheer fresh-faced innocence places them none too far from the likes of The Jackson Five in terms of diaper-to-stage career curves.
Casual observers might baulk … Read More
Forming in 1975 as Painted Lady, GIRLSCHOOL have been together for 40 years and are showing no signs of slowing down. With nothing to lose, KIM MCAULIFFE and ENID WILLIAMS are back in the studio and back to school. KEVIN STEWART-PANKO is asked to see teacher after class
There’s a girl, her name’s Louise and she runs things around here. On any old, average day, she’s charming, delightful and lights up the room with her smile. But today, the ribbons in her hair are fluttering more than usual, her grin is wider than wide and the rainbows she usually shits are blindingly bright. All that because we’ve managed to get the almighty Girl-Fucking-School in Iron Fist and if the emails throughout our exchange on the matter are any indication, to say she’s honoured, happy and tickled to have one of her all-time faves in these pages is like saying Lemmy’s gone a few rounds with a bottle of whiskey.
Guitarist/vocalist Kim McAuliffe and bassist/vocalist Dinah ‘Enid’ Williams originally came together in 1975 under the moniker Painted Lady after growing up alongside one another on the mean streets of Wandsworth while staring down the inhospitable climate that greeted the idea of the “fairer … Read More
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