Among the countless new metal bands, there are few of them that build their reputation on true passion and great music. LUNAR SHADOW from Germany have readied their first album ‘Far From Light’ and be sure that their regressive metal is more inspired than most bands out there, both new and old. Lead guitarist Max ‘Savage’ Birbaum tells Andreas Andreou about how he raises his Iron Fist against the modern mediocrity.
First of all, let me tell you that the improvmement from your debut EP ‚ ‘Triumphator’ (2015) is astonishing. The EP was killer and was welcomed in the underground metal scene, but your debut full-length sounds as close to the “real” thing as we’ll get in 2017. Give us a brief heads up on the making of the album, the recording and partnering up with Cruz Del Sur for the release. Max: Thank you. The improvement you spoke about was, on one hand, the logical result of just taking our time. ‘Triumphator’ was recorded in three or four single sessions, often in a hurry, and our singer [A.Vornam] was relatively new to the band back then too. This time we took our time to record everything properly, all the small details, vocal harmonies and drum rolls. Only … Read More
London’s SEVEN SISTERS have been kicking around since 2014, steadily building a fanbase and receiving no small share of critical acclaim for their high-energy, NWOBHM-inspired heavy metal. After extensive gigging both in the UK and across Europe, the band have finally released their much anticipated eponymous debut album on High Roller Records.
The album is an extremely polished piece of work, paying homage to early Iron Maiden, amongst others, while avoiding the trap of derivation or the tiresome “tribute” sound. IRON FIST sat down with guitarist GRAEME FARMER to get the skinny on the origin of the band, what inspires them and why the hell they’re named after a nondescript tube station in North London.
Tell us how Seven Sisters got started. How did you all come together as band? Graeme: Me and Kyle had been talking about working on a project together for quite a while, but never really got around to doing anything about it until late 2013/early 2014. I went round his for a jam, and we ended up writing ‘The Warden’ and ‘No Guts, No Glory’ in the space of a few hours. After that, the rest of what became our demo tape came together pretty quickly and we recorded … Read More
“We were formed after a wild halloween party in late 2011. Karlsson [vocals/guitar] had a couple of songs recorded that I thought sounded cool and suggested that we rehearsed them to see how it all sounded with a full band. We met at a garage the next day hungover as hell and that’s it.” Tobias Augustsson is explaining how garage rock, horror punk, biker exploitation movie, booze hounds The Dahmers came into being. Last year’s debut ‘Demons’ twists The Stooges, Misfits, Thin Lizzy and Motörhead with fellow Swedes The Hellacopters.
“We have always listened to a lot of different music so we never decided that we should stick to one kind of genre or try to sound just like a specific band,” Tobias says of their pick ‘n’ mix punk rock sound. “The basic idea was to play loud and have a good time while doing so. We find inspiration in everything from old punk and ’70s rock to ’60s pop songs and much more. “There has always been bands around that aim towards sounding old school and that’s usually fine and we dig a lot of them as most of our favourite bands are old bands,” he continues of his homeland’s revolving … Read More
Using an asylum as their rehearsal and recording space, and citing influences such as horror movies and Black Sabbath, you can almost imagine what Salem’s Pot are going to sound like before you even hit play. However, there is a rough charm to these Swedes that urges listeners not to dismiss them as just another trend-hopping ’70s garage rock rip-off just yet.
“It all started with just two of us watching old horror movies and listening to ’60 and ’70s music all day and night. We figured that we had to do something creative together since there wasn’t much more to do in a small, doomed town where no one wants to know you”, they explain when elaborating on how it all began. “There was only one of us who could play an instrument [that would be Knate on guitar!] and the other took care of the visuals and artwork. Along the way we stumbled over two freaks that could play bass and drums [that would be Direktörn and Peter] and then we recorded a demo [‘Sweeden’] at the asylum where we rehearse. Eventually the other one picked up an organ and some synthesizers and learned how to use them.”
A lack of … Read More
With The Golden Grass playing in London tonight and their new album ‘Coming Back Again’ recently released via Listenable Records, we revisited the time we put them in our Into Battle section way back in Iron Fist #10
Adam Kriney is the epitome of the modern and urban bohemian. A proud NYC-born and bred artist with a zillion ideas yet, first and foremost, a drummer he nevertheless has an extremely versatile musical pedigree that saw him hijacking free jazz, heavy rock, stoner, psychedelic rock, electro and everything in between. Until last November, his ticket that connected all those dots was La Otracina, whose career culminated in 2012 with their first, and so far only, DIY 46 date European tour and a storming Roadburn appearance.
However, upon their return another addition to their already long list of line-up overhauls knocked the wind out of Kriney. So despite being seated on a stack of unreleased recordings that could fill up “something like five albums” according to him, he put the band on hiatus and chose to focus on his other two musical activities, the instrumental kraut-rock inspired Zoned Out and Grateful Dead tribute band, the Dead Tapes. Only when those two also ran into … Read More
Doom Metal has its roots way back in early ’70s and Black Sabbath (the masters of all), followed by bands like Pentagram, Trouble and Saint Vitus. But the origins of epic doom metal are traced back to ‘Epicus Doomicus Metallicus’ of Candlemass, who along with Solitude Aeturnus, are the most iconic bands of the sub-genre. Monasterium, a new band hailing from Poland, are following the path of epic doom and Iron Fist is honoured to introduce them to the metal battlefield.
Introduce yourselves, ye humble knights of doom… Hails Iron Fist! We are Monasterium – a brand new Polish band formed in 2014 and dedicated entirely to epic/heavy doom metal. Doom metal in its traditional form has always been our passion and we believe it’s actually one of the noblest genres of music in general – that’s why we follow this path. How did you come up with the band’s name? We longed for a name that’s meaningful, powerful and at the same time carries all the mystical and spiritual vibes present in our music and lyrics. Unfortunately Candlemass has already been taken, so out of all the ideas we came up with, Monasterium seemed like the best choice.
Your first same-titled album is coming on … Read More
Although having only formalised a line-up and commenced rehearsing in January 2013, Sheol have already made waves; their ‘Live Demo MMXIII’ and mini-album ‘Sepulchral Ruins Below The Temple’ proffering some particularly vicious and cavernous blasts of prime, unholy death metal or, as founding member A.B.S describes it, “sepulchral death metal rising from the primordial Abyss.”
With a healthy and growing reputation, wholehearted support from both Iron Bonhead and Invictus as well as a delivery aesthetic that follows in the footsteps of the Father Befouled and Encoffination school of deathliness, great things are expected of the British band. With such a gaping, hellish and bleak sound adding to the audial decimation of their forceful songwriting, Sheol sound keen to maintain their individuality. Kat ‘Shevil’ Gillham discovered more about these tyrants…
Hails A.B.S.! Please give Iron Fist a quick background history on the band. “She’ol was formed around 2012 by me and our former drummer, A.H.S. (Vorage). We both have a longer experience in black metal but She’ol began initially out of ideas which did not fit elsewhere, closer to death metal inspired by Incantation, Sadistic Intent, early Darkthrone, Autopsy and Absu – but so too was there a significant difference in vision. … Read More
To many, doom is the molasses-thick primordial sludge found at the lower reaches of the guitar’s tonal range. For others, it’s the molasses-thick primordial sludge found around rim of their favourite bong. For Alastair Riddell of heavy metal doom band, Brule, “doom is the ‘Tempter’ by Trouble; anything else is just an added bonus”; an austere definition perhaps, but one that chimes with the existential obscurity that underpins the genre.
Reminiscent of Pentagram with Kyuss and, indeed, Trouble, London’s Brule will more than satisfy orthodox doom tastes but it is their broad creative palate, taking in psychedelic rock and meat-n-potatoes ’70s rock, that sets them apart from the Wizard-Bong-Witch cliches of much that passes for contemporary doom.
“The main influences are the Maiden, Rainbow, Grand Funk, Trouble, Scorpions, WASP, Vitus, Pentagram, Bang, Rush, Saxon, Witchfinder General, Purple and Gillan’s solo albums, Accept and Manowar,” Riddell lists. “However there is also stuff like the obvious ’60s bands – The Who, Kinks, Stones, MC5 and even the Beatles, but also a lot of the proto-metal and early heavy prog bands as well. The genre name is not really all that important; the quality is what matters, whether it’s Budgie or Bathory, Acid or Aphrodites … Read More
Apologies to the guy in Black Viper who our editor attacked outside The Little Devil in Tilburg during Roadburn Festival. She overheard him telling some guys in the smoking area that he was in this “new band called Black Viper” and she just sort of grabbed him and scratched him, which is kind of her way of saying ‘Your band is fucking great’. They are. Marek Steven is less violent so we sent him to find out more about them.
Storming With Vengeance demo is great. Can you introduce us to Black Viper? Cato: The band actually started around 2012 as a one-man project because I made some riffs which didn’t fit into [his other band] Deathhammer, but I thought they were good enough to make something out of. I then made some demo tracks without vocals but didn’t release them. I also started to record an EP in 2013 but that also didn’t get finished. Then I moved to Oslo in 2013 right where Arild and Christoffer live. I hooked up with them and Black Viper finally became a full band. Then we rehearsed without vocals for a while – as we couldn`t find anyone who could sing – and we … Read More
Gothenburg-based heavy metal maniacs Night Viper are the one of the latest heavy metal exports to come out of Sweden and have released a debut album that is an energetic affair. The up-tempo ’80s heavy metal of early Maiden and Priest collides with the galloping speed metal of ‘Kill ‘Em All’-era Metallica and a duelling twin guitar attack that features the ever-productive Tom Sutton (The Order Of Israfel, Horisont, ex-Church Of Misery). We caught up with Tom to find out more about this exciting new band.
When did the idea for Night Viper first come about? “I have often wished that Metallica and Slayer could have held off from maturing for just one album more each. I love their second albums and what came later too, but I love the freshness of that almost rock ‘n’ roll style of thrash metal that they both had in the beginning. I’d often thought I’d like to do something with that kind of vibe, although I doubted I’d ever get around to it. At one point I was going to ask Sven, the drummer from Antichrist, to just do a single with me so I could get it out of my system. I couldn’t be … Read More
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