Even if their main composer and guitar player Ola Blomqvist – former head honcho of Sweden’s I Hate Records – strongly affirms this is no public relations masterplan, because ever since their inception back in 2004 the epic doom defenders of Griftegård (old Swedish word for ‘graveyard’) have been cultivating a certain aura of mystery around them with only a handful and carefully selected number of shows and even fewer releases. With Thomas Eriksson from Year Of The Goat fronting, they got started right after the premature demise of the greatly promising yet desperately short-lived The Doomsday Cult with whom they initially shared three members. “It’s funny you’re mentioning this because these days, people rarely mention the two bands in the same sentence and if it happens, it is old school people like yourself,” Blomqvist shrugs. “Now, would Griftegård have existed if TDC continued? The answer is yes, simply, because I needed to express that specific concept.” Heavily mystical in its lyrical approach, their 2009 debut album ‘Solemn. Sacred. Severe’ was sometimes mistaken by some as Christian metal while as Blomqvist clarifies that it’s true he’s “truly fascinated by the religious aesthetics and their inherent effect on the human psyche/soul and … Read More