When ‘Infernal Blasphemies’, the three track demo (on tape format, obviously), was released in early 2010 on the now defunct Detest Records imprint, it seemed like an elusive project for Michel Jonker, former drummer with Absorbed and Massive Assault, the d-beat war machine from Groningen, Holland. Still, even if he had left his previous band because he was “too busy with other things”, this veteran musician kept on playing music at home “just for fun”. He eventually ended up writing and performing this first raw recording by himself telling Iron Fist; “this was the music I wanted to play. It’s raw, furious, has simple songs structures and an old school vibe. As simple as that!”

But two years later, Entrapment has grown into something much bigger than a simple hobby. So besides gathering a line-up, including members from Massive Assault and God Dethroned, for live duties, Michel has put out ‘Irreligious Abominations’, a compilation of all three demos plus a bunch of live tracks through Godeater Records. He also found time to record Entrapment’s first proper full-length, ‘The Obscurity Within’, on Soulseller, assisted by live member Jeroen Vrielink who played bass and lead guitar on the album. After denying trying to … Read More

Sweden’s latest offering of death comes from the mysterious Vampire, a three-piece that recently released its debut self-titled demo tape via Ljudkassett (which sold out in a matter of days). For a band that had no presence prior to the month of September, vocalist/drummer Hand of Doom sheds some light.

“[Guitarist] Black String and I started making music around 2009 with no idea of what we wanted to achieve. After a year or two downing beers and switching instruments, [bassist] Command came along.

“We pre-loaded for the Slayer/Metallica gig at my place and listened to Necrophagia’s impossibly ugly ‘Young Burial’ off New Renaissance’s sampler, ‘Thrash Metal Attack’, which made us agree: this is it. We soon wrote the songs on the demo, which were recorded in April, and hooked up with Ljudkassett during the beginning of summer.”

On their first assault, you will find Possessed-like riffing and Celtic Frost-y grooves, but don’t discredit this three-track tape as a mere tribute.

“Death metal is another form of metal that must be aware of its origin and not strive too far away in order to keep its appeal,” explains the frontman. “However, there’s a difference between influence and inspiration.”

“During the sessions, I was heavily into this … Read More

Visa issues may have prevented SADISTIC INTENT from desecrating the UK this summer, but being stuck on the other side of the Channel gave guitarist RICK CORTEZ good chance to give Iron Fist’s Jérôme Maréchal a potted history of metal’s most tortured souls

Let’s avoid the boring “can you please introduce us …” and instead tell us the bands that made you wanna start Sadistic Intent? Looking back on those 20 years, would you do anything different? Rick Cortez: “Technically, Sadistic Intent started in 1986 under a different name but we changed it in 1987 when we brought in a new vocalist. Back in those days we were influenced by the more extreme music of that time; bands such as Slayer, Sodom, Venom, Destruction, Celtic Frost, Dark Angel, Mercyful Fate, Bathory, Discharge, Extreme Noise Terror, Death, Terrorizer, Repulsion, Death, Doom, etc. Honestly, I knew back then that our other band members would eventually leave the band within a year or two and I figured that would be the end of Sadistic Intent. All we had in mind was to play backyard party gigs in the LA area, especially because at that time bands like Sadistic Intent were not allowed to play in … Read More

WELCOME to the first issue of Iron Fist. I can’t believe I’m writing the editorial to this magazine. It’s been an exciting but stressful few months from conception to birth. The magazine was born, like all good things, after some serious drinking and instead of waking up laughing off the insane ideas that were discussed over good wine, good friends and good music, I was encouraged to make a go of it, and here is the first in hopefully many issues of a magazine solely dedicated to heavy fuckin’ metal and its bastard offspring.

The first time I realised this was needed was when watching King Diamond at Hellfest. I was utterly inspired by a man, who despite everything he’d been through, put on a real, old-fashioned triumph of a rock ‘n’ roll concert. He didn’t just play a show, he put on a show. If I could distil just one tenth of that passion, excitement and invention into Iron Fist then I would have succeeded. After much soul-searching (and running away to a beach in Devon!) I decided to get my arse into gear.

I couldn’t have done it without the support of the Iron Fist crew, for whom I now … Read More

“Sometimes melodies arrive while I’m sleeping so when I wake I’m really stressed trying to remember the melody. Some of the ideas come from dreams and nightmares, or in that time just before I fall asleep,” says Posthum‘s Jon (guitar/bass/vocals). Hailing from Akershus, Norway, an area tipped by many as the new Bergen (“Akershus is both the old and new Bergen!” say the band), Posthum, rounded out by Morten (drums) and Martin (guitar/bass) are set to smash through the black metal glass ceiling with their sophomore full-length ‘Lights Out’. Signed to Indie Recordings, ‘Lights Out’ builds on the foundations of 2009’s ‘.Posthum’ and their 2005 demo, showcasing a tighter, scalpel-sharp approach. So what have the trio been doing with themselves in the interim? “After finishing touring with Dark Fortress, Shining and Satyricon in 2009 we began to think about a second album,” remembers Jon. “The process has been long and darker than before. The album has really got into our heads and has been exhausting at times. It’s been a time of many experiences and different feelings towards life, love and existence in general.”

He’s understating just how dark of a record ‘Lights Out’ truly is. Bleaker than infant death, ‘Lights … Read More

“After my old grindcore band split in 2006 (which featured our bassist Necroskull on guitar), I soon tired of not making music and decided in late 2010 to redress the balance with my own take on thrashy, song-based black metal.” Rob Belial of UK-based decrepit black thrash purveyors Cultfinder, who feature two members of British doomers Witchsorrow, has recently followed up his cassette demo onslaught with a CD-release, the EP ‘Black Thrashing Terror’ on Eldritch Lunar Miasma. One of the most exciting EPs to hail from these shores of late, Cultfinder slot right in with the current network of nasty blackened death and thrash in Southern England (Grave Miasma, Craven Idol, Salute etc). Rob says of the growing scene, “It’s definitely got its own momentum, and slowly but surely, it’s own infrastructure and support network in terms of labels. Pretty soon we’ll once again be completely self-sufficient in totally vicious heavy metal, which is nice for those of us too young to remember the last time! I was barely born when Bathory’s debut came out, and I’m not going to pretend otherwise!”

US black metal has always suffered from a ‘Born Too Late’ mentality. Although Possessed undeniably had an influence on the second wave rage and bands like Judas Iscariot and Grand Belial’s Key flew the flag for Uncle Sam, the country has always been slow on the blackened uptake. Recently though Illinois has unleashed a darkened fury in the forms of bands like Nachtmystium, Avichi, Alehammer and now Black September. So, is Chicago the new Bergen?

“No,” is the sullen reply from guitarist Chris Morrow. “I don’t consider Black September a black metal band.” That angry answer is the most black metal response we’ve heard this issue, so we’ll beg to differ, but listeners can decide what genre, if any, BS have to be tethered to after spinning new album ‘Into Darkness’, which summons a dissonance of black metal, Stockholm death metal and English crust.

“We had so many ideas going into this record,” Chris admits. “We started writing soon after the last LP was released, we wanted to start this album exactly where we left off with the last one. ‘The Forbidden Gates Beyond’ had nothing to hide. It was unrefined and to the point. We wanted to add another level of depth … Read More

“A nettle carrier is a spreader of death. Imagine a person walking the earth, smearing nettles on all life,” so says Ciekals, formerly of cult Oslo outfits Neetzach and Lja, bands so underground that they could have served as tectonic plates. When he’s not spending time with punk/BM hybrid Djevel, Ciekals is gleefully conjuring studio magicks with NettleCarrier. A blackened supergroup of sorts, NettleCarrier also features the drumming talents of Dirge Rep (Enslaved, Gorgoroth, Nattefrost, Orcustus) and Koldbrann’s Mannevond on vocals and bass duties. While all three have served time in Djevel, don’t be expecting a carbon copy. “We have less boundaries in this band than in Djevel, which is strictly based upon ancient Norwegian devil worship,” says Ciekals. “In NettleCarrier I draw inspiration from every corner of our occult heritage. Our lyrics are based upon the universal occult history, both future, past and present.”

Indeed, even though Ciekals admits that “I compose both Djevel and NettleCarrier material at the same time,” he feels that “Djevel and NettleCarrier are very different. I instantly know if a song I compose is for Djevel or NettleCarrier and that also applies to the lyrics.”

As to the song structuring process, Ciekals explains it thusly: “I … Read More

KILLTOWN DEATH FEST 2012 COPENHAGEN UNGDOMSHUSET

The Ungdomshuset (“the youth house) is a squat in the North West of Copenhagen, a stone’s throw away from the city centre; a Scandinavian ‘utopia’ of modern architecture, parks, cyclists and overpriced food and drink. Walking into the main venue of this tiny DIY event is like crossing into a different country; enter a graffiti covered courtyard, filled with a smorgasbord of battle jacket adorned long haired metallers. A wander around reveals why people travel from around the world for this event; food is super cheap, beers and shots are under £2, and at the back a small and dark alleyway is filled with goodies. It was like the ’80s never left, with stalls filled with boxes of vinyl, photocopied fanzines, patches, t-shirts and cassette tape demos.

First band of the day are France’s Ritualization, crossing the tones of early Morbid Angel with Angel Corpse and an awesome sign of things to come over the next 3 days. Fleshless seem a little out of place, even admitting it themselves. Their modern take on brutal death metal with guttural vocals, the antithesis to the old school vibe of the other bands playing over the weekend, but they manage to … Read More

English black metal band WINTERFYLLETH have returned with their third album in as many years, but determined to step away from the shadows that have followed them since their formation, CHRIS NAUGHTON tells Louise Brown how British metal is back in black.

“The idea of a ‘threnody’ is that of a deathly ode, poem or lament to those who you have lost and is a way of honouring their memory,” explains Chris Naughton of Northern England black metal collective Winterfylleth. New album ‘Threnody Of Triumph’ is, well, a triumph, continuing their uncompromising attack on Britain’s less than stellar black metal output, frontman and guitarist Chris and his colleagues, Nick Wallwork (bass), Mark Wood (guitars) and Simon Lucas (drums), have been driven to unleash three full-lengths in as many years, all more accomplished and ambitious than the last. Gaining critical acclaim, front cover status and live bookings galore (as well as the odd left-wing bashing, more on that later) Winterfylleth are a beacon of black metal Britannia.

“The album is based around the idea of how our forebears viewed spirituality in terms of how the soul and the body were linked and how the transitions through death worked,” Chris continues, explaining the themes … Read More