Craven Idol return with a crash of thunder after almost four years of deadly silence. Not only do the London Black metallers have a killer new release, ‘Shackles Of Mammon’ (Via Dark Descent on April 14), they will also open for Nifelheim at the Underworld on May 26. All this with a brand new line-up, as guitarist Scourger and drummer Volgard, have been replaced by Obscenitor (also of Crom Dubh) and Heretic Blades.

“We entered Greg Chandler’s Priory Studios last year and emerged a week later with around 40 minutes of old school extreme metal swearing by the legacy of the first god.” That’s how frontman Wrath starts his epic story about their latest album, which the band launch with a gig at The Black Heart, Camden, this Saturday April 8.

“Our new album ‘The Shackles Of Mammon’ is more varied and way more aggressive than its predecessor ‘Towards Eschaton’,” he continues. “It is a ‘complete’ album with significantly better song-writing and a rawer, old school production. Greg Chandler, from Esoteric, is a brilliant producer and we spoke to him at length during the run-up to the session, and we had a clear vision for the sound. I had in mind the first wave … Read More

Spitting black fire since 2000, Vornth have followed their self-titled 2013 debut with a second album of Venom-ous filth. ‘Black Pyres’ is out today as a Samhain offering, with lashings of Teutonic thrash fury, blackened ire and traditional heavy metal speed. Hailing from Sweden, the band have returned to the Iron Tyrant family – home of Profanal, Mortuary Drape and Culte Des Ghoules – and feature Janne Rimmerfors on battery, Ewil Johansson on bass and Erik Blackflexer on guitars. 

Citing “our own Electric Blood” as their only influence (despite hearing Kreator, Destruction, Mercyful Fate and even early Candlemass proudly in their sound) they say of today’s heavy metal scene that “Rock ‘n’ roll should be strong and alive. Metal should be more strong and more alive.”

We couldn’t agree more. “We chose Iron Tyrant and they chose us,” Erik continues of working with such an eminent underground heavy metal stable. “It’s a brotherhood if you like. You always see who and which bands are going strong when times get rough; that is the real difference between illusion and the definitive. We feel part of a community of hard working musicians and artists that fight with integrity no matter what. We are Vornth which we have proven a long time … Read More

We love a mixtape here at Iron Fist. The ritual of choosing the track, pressing play and record at the same time, perfectly timing songs to fit on one side of a C-90, doodling your own hand-written cover. Days were endlessly passed doing this in our youth. Bringing back the tradition we ask some of our favourite musicians to make us a tape and let you know, via the magic of YouTube, what they picked for us.

In the first instalment, JB Christoffersson of Iron Willed warriors GRAND MAGUS picks twelve songs that inspired his band’s latest album ‘SWORD SONGS’ in a mixtape called ‘SWEDISH STEEL’.

1. BATHORY – ‘Shores In Flames’ This is the opening song on BATHORY’s masterpiece ‘Hammerheart’ and one of my favourite songs ever. No one combines atmosphere with power like Quorthon did.

2. DISSECTION – ‘Xeper-i-Set’ The Reinkaos album was very controversial when it came out. Personally I think it’s a fantastic album with brilliant playing and songwriting. This is probably the fastest and most aggressive track on that album and it’s ferocious.

3. WOLF – ‘The Bite’ When it comes to proper heavy metal in the modern age, I think that WOLF is one of the best bands … Read More

Even if yours truly’s once reliable mind was largely intoxicated and thus not fully functioning, I was still taken by surprise when, back in 2010 while visiting Stockholm, Nifelheim’s Tyrant revealed that he, David Blömqvist and Fred Estby (from the then recently deceased Dismember) had just formed a “classic sounding hard rock band à la Rainbow” and were already penning some tunes while looking for a singer. Three years later, with sadly Tyrant now out of the picture due to lack of time, but now with an actual name (Dagger, suggested by former Entombed mainman Nicke Andersson, who also designed their logo) and a first EP (‘Mainline Riders’), that unlikely prospect has become reality. And yes, it couldn’t further from the HM-2 empowered brute force of Swedish ancient dödsmetal, as if after two decades of playing ‘Skin Her Alive’ at full speed those boys had needed a break.

“Yeah, it was something like that,” confirms drummer and ringleader Estby. “After Dismember went on hiatus before breaking up for good, I did the Necronaut album with me playing most of the instruments and friends like Tompa from At The Gates or Dread from Tormented doing the vocals, but I think it was … Read More

Just before December 31, as the world turned from 2012, a year that was meant to see humanity hurtling towards its prophetic end, into the unlucky 13, Black Oath, a band we have been feverishly evangelising, offered a new song to their most devoted disciples, and not only that but announced it featured guest guitars from Sebastian Ramstedt of Nifelheim/Necrophobic fame. We had to find out more…

“We met the Nifelheim freaks two years ago at Metal Magic Festival in Denmark,” the collective voice of the band tell us of this exciting partnership. “Some days after we received a message from Sebastian asking if we were interested to collaborate with him. At first, he was supposed to play an Alice Cooper cover with us at Hell’s Pleasure, but, due to time it wasn’t possible, so we asked him to play some guitar on the new record and the final result is now online.”

Wanting to know as much as possible about this forthcoming record we asked the band for more details, but they were typically cloak and dagger. The band told us that, “yes, that track will be on our next album [‘Ov Qliphoth And Darkness’]. We already played it live twice and … Read More

Indisputably one of the first ever heavy metal bands in Finland, if not the world, SARCOFAGUS and their leader KIMMO KUUSNIEMI were always pushing the limits of rock ‘n’ roll, even becoming one of the first metal bands to make a full-length music video. But after 30 years they’re back with a new album and tell IRON FIST how it pays respect to a legacy they thought was dead and buried.

Sarcofagus was laid to rest in 1982, when did you realise that there was an interest in the band again? Kimmo: “I think it was around 2000, because [legendary Finnish rock radio DJ] Klaus Flaming wanted to find the ‘Motorbirds’ film. That’s when I realised on the internet there was so many stories about Sarcofagus and that these albums had become cornerstones of Finnish metal. Of course back in the day, when I started to make films I never showed the ‘Motorbirds’ video to any places that I was looking for a job because I was embarrassed by it. And I was embarrassed by Sarcofagus for probably the whole of the ’80s. Metal was like a bastard, all the progressive bands thought it would die and it’s a joke, so in the … Read More

You may not know the name but you know the faces in Necrocurse. If you’ve paid any attention to what happened to the Swedish death metal scene post-‘Storm At The Light’s Bane’ there is a fair chance you have at least one album featuring the multi-talents of one Nicklas ‘Terror’ Rudolfsson. A man of many facets, while his first weapon of choice is the drums, he also plays guitar and bass and is handy with a microphone. And while his first big break came after joining Dissection wannabes Sacramentum, in time to record their classic debut ‘Far Away From The Sun’ at Dan Swanö’s Unisound studio in July ‘95, the second half of the ’90s saw him going into hyperdrive as between 1995 and 2000 he took part in no less than 12 full-lengths and various EPs under four different banners. But fast-forward a few years and his source of inspiration seemed to show traces of exhaustion. Nicklas had become focused on his main project Runemagick, a mostly studio outlet for him and his bass playing wife Emma. Ultimately, in 2008 after an impressive outcome of no less than 11 full-lengths, a laconic message on the band’s webpage simply stated … Read More