HARD ROCK HELL NWOBHM 02 ACADEMY SHEFFIELD

It’s clear that the inaugural HRH NWOBHM festival has piggy-backed on or at least benefited from Brofest’s ability to persuade long-defunct bands to reform. Of the army of acts on the two-day line-up, many have already trodden the Brofest boards. But a good idea is a good idea, and the bands themselves are unlikely to care whether they’re revisiting their glory years in Newcastle, Nuneaton, Newport or – for the next 48 hours – right here in Sheffield. While London has a proud NWOBHM history of its own, it’s somehow fitting to witness this particular event taking place beyond the rapacious event horizon of the Capital. Even during the winter of discontent from which the NWOBHM sprang, the regions – in this case the former mining and heavy industrial hub of South Yorkshire – laboured under an investment and infrastructure deficit when compared to London and the South East in general. Sheffield may have come a long way since 1979, and avoided being nuked a la ‘Threads’, but in the frozen half-light of a December dusk, it’s all too easy for the mind to time-hop back to the bleaker days of Saxon’s ‘Hungry Years’.

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Twin innovators who forged metal in their own wayward images with nary a thought for either compromise or common sense, BUDGIE and DIAMOND HEAD were enormous influences on the early days of Metallica, with Dave Mustaine even claiming that it was his love of the former that sealed the deal when it came to his gig with the Four Horsemen. Yet, as Diamond Head’s Brian Tatler confirms, they both might have been forgotten had it been for the aforementioned San Fran saviours. Never fear; interviews with both Tatler – who takes us back to the making of the debut ‘Lightning To The Nations’ – and Budgie frontman Burke Shelley in our second anniversary issue mark the perfect reminder of a maverick spirit that embodies why we started Iron Fist in the first place.

Acrimoniously ejected from Metallica in 1983, it didn’t take long for guitarist Dave Mustaine to saddle up and form MEGADETH with a glint of revenge in his eye. By May 1985 he had delivered the ultimate comeback in the form of ‘Killing Is My Business… And Business Is Good’, with more spite, more speed and more “state of the art heavy metal”than the majority of that era’s rivetheads could believe. With the album reissued this month, Jim Martin talks to Dave Mustaine, Dave Ellefson and man-on-the-scene Brian … Read More