Iron Fist Magazine


When we last spoke to black metal solo artist, Myrkur, it was towards the end of last year and she’d just released her self-titled debut. In that time the secret identity behind the music has created a whirlwind of controversy, while the songs themselves have divided opinion across the metal community, citing likenesses in everything from Xasthur to Dissection. Less than a year later the Danish musician is set to bestow sophomore effort ‘M’ upon the world, with Kristoffer Rygg (Ulver) at the helm of production. “We have a lot in common and he mentored me a lot,” reflects Myrkur. “It was very much a collaboration. It’s exciting for me to work with that level of talent and we share the same vision.” Myrkur’s collaboration with Rygg isn’t the only thing stirring up excitement about this record; the artist is lifting the shroud of mystery surrounding her identity and finally letting the world glimpse her face. “Sometimes I feel like I’m being forced to show more than I really want to,” she sighs, “but it’s also nice to have the freedom to be open about who I am and speak freely about what I want, and to connect with people.” And … Read More


“We went on tour in 2012 and played Philly. We had never played there before and I think that’s how Relapse found out about us. I’ll speak for myself, but I think I’m speaking for all of us when I say we were very surprised when they contacted us!” While much of the music industry cognoscenti will beak off until they’re as blue in the face as they are in the balls about the irrelevancy of record labels in the digital age, Lesley Wolf, bassist/vocalist for New York blackened sludge trio Mortals, begs to differ. Their debut full-length, ‘Cursed To See The Future’ may not hit the streets until July 7 and their collective blood dripped onto Relapse’s dotted line may be their first real experience with the industry part of the music industry, but Mortals, at the very least, have the venerable label to thank for motivating them to get to where they are. “It definitely changed the game,” explains Wolf. “We were writing stuff without any real plan. We were maybe going to find a band to do a split with or eventually record a full-length, but there wasn’t anything definite. When Relapse stepped into the picture it definitely put … Read More


Splits, spouses, sludge and selling out… Japanese death doom dealers COFFINS take KIM KELLY to ‘THE FLESHLAND’ to talk their past, present and future

The Land of the Rising Sun has earned its out-there reputation about a billion times over by now, so it’s always a bit refreshing to stumble across an artistic endeavour that sticks to a comfortingly familiar script instead of blasting out into the stratosphere on steel wings of glitter and tentacle porn. That’s how I felt the first time I heard Coffins, anyway, and they’ve done little to disappoint, or deviate, in the ensuing half decade. Not only have they chosen to take a path often traveled, they’ve managed to Godzilla stomp all the way down and back again without seeming to break a sweat or whip off Uchino’s ever-present sunglasses. The trio (now quartet, thanks to new vocalist Ryo) have stayed true to the same ugly, death/doom sound they’ve been peddling for most of their unlucky 13 years, though it took a while for them to arrive at that sickly sweet spot.

“Strictly speaking, we changed three times the sound style,” guitarist Uchino clarifies. “We started from 1996, playing a slow heavy junk style in ’96-’97, then … Read More

Latest Issue