Iron Fist Magazine

OOZING WOUND INTERVIEW: “YOU’VE GOT TO BE A LITTLE DIAMOND DAVE, YOU CAN’T BE GLENN DANZIG ALL THE TIME”

On tour in the UK right now, Chicago thrashers OOZING WOUND like to take their metal seriously, but it still oozes fun

“This music is fun and we don’t try to over think it,” states Zack Weil, one third of Chicago’s raddest, anti-bullshit thrash band Oozing Wound. “Most bands don’t understand how cheesy they are, but we do understand how cheesy we are on a base level. You’ve got to be a little Diamond Dave, you can’t be all Glenn Danzig all the time. I mean, we’re not firemen, we’re not saving people’s lives! Sure we are serious about rocking, but why should we posture with arms folded and furrowed brows? You’ve got to keep it in perspective that being in a band is cool! It sure keeps us sane, at least. Outside of the band, everything is serious and a drag. So why not have a good time with music?  That’s why we embrace weird humour and puns in our song titles so much” he explains. 

A perfect example of this is ‘You Owe Me, Iommi’ – which is the title they gave to their “slow Black Sabbath rip off song on the new album ‘Whatever Forever’.” Couple this clever word play with a … Read More

ELECTRIC WIZARD INTERVIEW: “I’VE NOT GOT A LOT OF ADMIRATION FOR PEOPLE THAT WEAKEN AND DILUTE METAL”

Two decades of doom dealing could easily take its toll on lesser bands, but Dorset’s ELECTRIC WIZARD have taken all that misanthropy, occult leanings and horror fanaticism and weaved it into an eighth album of dreary, but omnipotent intent. Back in 2014 line-up and label woes, paranoia and over-indulgence were been thrown into the cauldron and the result, ‘TIME TO DIE’ made the band never sound more alive. Jim Martin spoke to JUS ORBORN for Iron Fist back in Issue 12 and we’ve dug it out of the archives in time for their headline slot at tomorrow’s DAMNATION FESTIVAL in Leeds…

 

The tranquil sound of a mountain stream drifting through a forest. Not something one would naturally associate with Electric Wizard, but this is how their new album, the intimidating ‘Time To Die’ kicks off, and in such a fashion that one could be forgiven for assuming they’ve purchased the wrong record. That is, until the distinct strains of a Hammer-style Hammond, ’60s garage drumming, and sampled news reports concerning Satanism drift into view through the ether, and the rural paradise proves short-lived. “On one level it reminds people that we’re from Dorset, just to get people back to our frame of mind … Read More

ROCK GODDESS INTERVIEW: “WE WERE LIVING THE DREAM”

A love for hard rock and heavy metal convinced two school friends, and the singer’s younger sister, aged just nine at the time, to form a band. That band would go on to win them support slots with the likes of Iron Maiden, front covers of Kerrang! and record deals with major labels. And now they’re back! GREG MOFFIT meets ROCK GODDESS and discovers that LOVE LINGERS STILL

Formed in Wandsworth, south London in 1977, Rock Goddess were one of the few all-girl rock bands of their era. The original line-up of sisters Jody (guitar/vocals) and Julie Turner (drums) alongside bassist and school friend Tracey Lamb released just two albums at the height of their fame, but they remain one of the most memorable acts from the NWOBHM, and not just as members of the fairer sex. In ’77, Jody and Tracey were a mere thirteen – that’s one three – years old, while Julie was – wait for it – just nine. They may have still been several years away from gigging or recording, but their sheer fresh-faced innocence places them none too far from the likes of The Jackson Five in terms of diaper-to-stage career curves.

Casual observers might baulk … Read More

GIRLSCHOOL INTERVIEW: “IN THE OLD DAYS WE’D BE COMPLETELY OFF OUR HEADS”

Forming in 1975 as Painted Lady, GIRLSCHOOL have been together for 40 years and are showing no signs of slowing down. With nothing to lose, KIM MCAULIFFE and ENID WILLIAMS are back in the studio and back to school. KEVIN STEWART-PANKO is asked to see teacher after class

There’s a girl, her name’s Louise and she runs things around here. On any old, average day, she’s charming, delightful and lights up the room with her smile. But today, the ribbons in her hair are fluttering more than usual, her grin is wider than wide and the rainbows she usually shits are blindingly bright. All that because we’ve managed to get the almighty Girl-Fucking-School in Iron Fist and if the emails throughout our exchange on the matter are any indication, to say she’s honoured, happy and tickled to have one of her all-time faves in these pages is like saying Lemmy’s gone a few rounds with a bottle of whiskey.

Guitarist/vocalist Kim McAuliffe and bassist/vocalist Dinah ‘Enid’ Williams originally came together in 1975 under the moniker Painted Lady after growing up alongside one another on the mean streets of Wandsworth while staring down the inhospitable climate that greeted the idea of the “fairer … Read More

COVEN INTERVIEW: “LIFE IS ALL ABOUT SEXUALITY”

Devil horns, Satanic rituals, and a 45-year-old debut album that became a benchmark for what has since become known as occult rock – in darkened circles COVEN – and their album ‘Witchcraft Destroys Minds And Reaps Soul’s – legacy is of paramount importance. At the tail-end of 2013, a new album, entitled ‘JINX’ was released marking a new era for the pioneering troupe. JINX DAWSON – High Priestess and the original wicked woman– spoke to Iron Fist about its creation and the legacy that she and her band has created. Now as the band prepare to perform a brand new ritual at ROABURN FESTIVAL we present that interview once more in its entirety

Tell us about the creative process of the new album… Was it a continuous process or has it been carried out over a longer period with breaks? “In some ways, this album has been over 40 years in the making. But summer of 2013 was when I decided it was time for a new Coven album. One must always close the circle, so I starting mixing together a wicked brew of olde and new. There were a few songs back in the day that were never finished or considered too bizarre and … Read More

ASHBURY INTERVIEW: “WE HAD NO INTEREST IN PROSTITUTING OURSELVES OVER A RECORDING CONTRACT”

Epic hard rockers ASHBURY have been enjoying renewed popularity in recent times, thanks to the rediscovery of their private-press LP from ’83, ‘ENDLESS SKIES’; a true lost-classic of melodic hard rock which marries the melody of Wishbone Ash with the delicate vocal lines of James Taylor and the grandiose scope of heavy metal. In light of this much-deserved renaissance, the band has regrouped for several successful appearances at metal festivals on both sides of the Atlantic. Now, this weekend will see Ashbury tread the boards at Frost & Fire II Festival in Ventura, California. JAMES BLACKFORD caught up with band-leading brothers, ROB and RANDY DAVIS to revisit ‘Endless Skies’ and survey the band’s long history…

ON DISCOVERING MUSIC… Rob: “Our Dad was in the Army, so we moved around a lot, living in France for three years, as well as in Oklahoma and Georgia. Dad played guitar and loved Johnny Cash, Buddy Holly, Elvis and Fats Domino. He owned a state-of-the-art Telefunken stereo and bought records every week, so growing up we didn’t watch TV, we just listened to music. Music and family were Dad’s passions in life, although his first attempts to get us to play guitar were useless! We had no interest, … Read More

AGATUS INTERVIEW: “I WAS HIGHLY INSPIRED BY ELOY, RUSH AND BATHORY”

Once upon a time, there were two brothers with a unique musical aura and vision. Archon Vorskaath created Zemial in 1989 and Eskarth The Dark One created Agatus in 1992. They were both swapping ideas and each one helped the other capture their creativity. Starting in Greece, then moving to Australia, back to Greece again, now The Dark is based in the United Kingdom with a brand new album under the title ‘The Eternalist’. Coming out on the mighty Hells Headbangers Records it is already the subject of high-praise amongst those in the know.

This third Agatus installment shows confidence in the marrying of the creator’s two loves; traditional heavy metal and orthodox black metal. From the debut black metal bite (‘Dawn Of Martyrdom’, 1996) to the NWOBHM-tinged progression of the second album (‘The Weaving Fates’, 2002) and now transcending beyond both paths, Agatus in 2016 exercises freedom in expression. We grabbed the opportunity to ask him how and why he chose now to return…

It’s almost 14 years since your last album, with an intermission of two EPs in between. What have you been doing all these years? The Dark: As you may know I have been involved in various projects/bands and … Read More

11PARANOIAS: PSYCHEDELIC DOOM PATHFINDERS UNEARTH THEIR RELIQUARY FOR A DREAMED OF WORLD

Back in Iron Fist #11 (Summer 2014) Paul Schwarz met with Bong’s Mike Vest to find out about the beast that was 11 Paranoias. Now back with their latest report from the frontiers of heavy psychedelic rock, the trio of Adam Richardson (Ramesses), Mike Vest (Bong) and Nathan Perrier (Satan’s Wrath) have once more aroused gargantuan riffs from ancient slumber, mustered intangible streams of irradiated noise, and arranged them to form an impressive, overdriven creation that shall see the light of day on October 28 via Ritual Productions. In the run-up to the release of their fourth release ‘Reliquary For A Dreamed Of World’, and with the honour of unveiling a brand new video, we present that interview once again in full.

“When you’re in a band with such inspirational people, you don’t need to tanalyse things too much. Adam and I are always discussing dimensional possibilities, surrealist ideas, music and artwork; out-there concepts and nightmare situations of drug induced states. Our mindset is always strung out beyond the rim.”

Originally a side-project which saw Ramesses bandmates Adam Richardson and Mark Greening team up with guitarist Mike Vest (best known for his work with the droning Bong), 11paranoias have been in flux for two years, have, to date, played five gigs … Read More

MAUSOLEUM GATE INTERVIEW: “CALL ME OLD FASHIONED BUT MUSIC FOR ME IS THE THING THAT COUNTS”

When it comes to new bands who stand head and shoulders above the metal warrior brigade, Finland’s Mausoleum Gate are one of the first names that comes to mind. Their 2014 eponymous debut album was a shock to the system and of the best albums of that year. Now the band is back with a brand new 7” single (‘Metal And The Might’) so we took the chance to have a catch up with Count L.F. (guitars), Wicked Ischanius (bass so far, keyboards from now and on) and Oscar Razanez (drums)…

Two years after your debut album, how do you reflect back to those days and is there is something you might have changed? Count: I am very satisfied with the response. Absolutely better than we could expect. Our way of doing things is so different that one must be amazed at this response. I am also glad that we didn’t have to please anyone.We had basically a freedom to do what we like. Ischanius: I am still very very satisfied with the end product. It’s testimony of what Mausoleum Gate had been so far! Like with every release, it’s a product of its time and all the factors surrounding it. I personally always have a feeling … Read More

PLAY AND RECORD: THE GOLDEN GRASS MIXTAPE

Providing the hazy, laid-back, psychedelic rock anthems of the summer, Brooklyn’s The Golden Grass have been on the road since the release of April’s ‘Coming Back Again’ (Listenable Records). Desperate to know what was on their stereo when recording their second full-length (they even told us which songs in particular each song inspired!) and what’s been playing in their van on those long road trips between gigs, the band made us the perfect mix-tape for summer nights.

1. The Move – ‘Lookin On’ 1970 “It’s amazing how HEAVY The Move were! They were one of our main influences when we formed the group and are a constant inspiration to us. ‘Lookin On’ is filled with monstrous riffs, killer guitar harmonies and soaring powerful vocals, not to mention the Eastern-tinged psychedelic odyssey in 5/4 that closes out the tune.” Song of relevance: See It Through

2. Jefferson Airplane – ‘Today’ 1967 “It’s just a love song – which this group was surprisingly adept at – that is both gentle and powerful, with wonderful vocal harmonies and chord passages, particularly on the chorus and at the coda. But the clincher for me is that atmospheric two-note modal flourish that Jorma Kaukonen provides – so simple … Read More