Chicago’s Bloodiest have released ‘Suffer’, the apocalyptic closing track of their forthcoming self-titled sophomore album (out January 15 on Relapse). For fans of sludgy, psychedelic metal and rhythmic noise rock, a genre-bending, wall-of-sound heaviness that is over almost as quickly as it begins, Bloodiest features Bruce Lamont from Yakuza and is produced by super-producer Sanford Parker (YOB, Minsk) and guitarist Tony Lazzara. ‘Bloodiest’ will be a testament to the band’s cinematic vision and have said that “Listeners willing to look into the darkness will find themselves taken on a storm-tossed, cathartic journey—and might even see the dawn after all.”
Pre-Orders for ‘Bloodiest’ are available physically at this location and digitally here
Twin innovators who forged metal in their own wayward images with nary a thought for either compromise or common sense, BUDGIE and DIAMOND HEAD were enormous influences on the early days of Metallica, with Dave Mustaine even claiming that it was his love of the former that sealed the deal when it came to his gig with the Four Horsemen. Yet, as Diamond Head’s Brian Tatler confirms, they both might have been forgotten had it been for the aforementioned San Fran saviours. Never fear; interviews with both Tatler – who takes us back to the making of the debut ‘Lightning To The Nations’ – and Budgie frontman Burke Shelley in our second anniversary issue mark the perfect reminder of a maverick spirit that embodies why we started Iron Fist in the first place.
Acrimoniously ejected from Metallica in 1983, it didn’t take long for guitarist Dave Mustaine to saddle up and form MEGADETH with a glint of revenge in his eye. By May 1985 he had delivered the ultimate comeback in the form of ‘Killing Is My Business… And Business Is Good’, with more spite, more speed and more “state of the art heavy metal”than the majority of that era’s rivetheads could believe. With the album reissued this month, Jim Martin talks to Dave Mustaine, Dave Ellefson and man-on-the-scene Brian … Read More
“Everything’s good, everything’s fine” so sang Ian Gillan in 1971. And everything’s still good if North Carolinian, dark riffing, blue collar, horror novel rockers Demon Eye are anything to go by. Taking their name from that Deep Purple song, Paul Walz (bass), Bill Eagen (drums), Larry Burlison (guitars) and Erik Sugg (guitars, vocals) play laid-back, bluesy hard rock with more than a nod to their forebears, putting them alongside Orchid and Danava in today’s contemporary scene.
“I was playing with a high energy, MC5 inspired band called the Dragstrip Syndicate. After that I played with some similar styled bands, always tending to borrow from ‘60s Detroit rock or heavy psych groups like Blue Cheer,” explains Erik of how Demon Eye came to be. “When I first met Larry and Bill they were playing with Richard Bacchus from the old New York City rock band, D-generation. Demon Eye was born after the four of us got together to play in a ‘70s rock cover band called Corvette Summer. After about a year of playing tunes by groups like Budgie, UFO and Humble Pie we started writing our own music.
“There are many things that attract me to this music,” he continues of why … Read More
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