It seems fitting that in the same issue that we celebrate the legacy of Voivod that we also delve deep into DECEPTOR, a power trio from London, England. Though not musically similar to the Quebecois maniacs, there is a direct line between Voivod’s dystopian vision and Deceptor’s. Newly signed to Shadow Kingdom and with a new album ‘CHAINS OF DELUSION’ ready to be unleashed onto an unsuspecting world, Sam Mackertich (guitars, vocals – with a scream to beat Halford’s!), James Ashbey (drums) and Paul Fulda (bass, vocals), are injecting new RAM into thrash’s overloaded motherboard.

 

Having formed in 2005, you pre-empted, supported and have now outlived the mini UK thrash boom. Do you miss the scene’s peak? James: “I miss the sense of community and the great times that were had amongst friends. The scene at large never had a huge amount to say musically, and those bands who were simply rehashing an already cloistered sound have predictably fizzled out, but I still value all the friendships that resulted from those years.”

You must be happy with, might we say excellent, new release ‘Chains Of Delusion’ and the Shadow Kingdom deal? Sam: “The stars really aligned for us, we managed to record the EP … Read More

It’s tough breaking into any scene, but for a fledgling British stoner band, you’ve not just got a rich history of bands that dominate the scene to contend with, you also have to tame those 20 tonne behemoths that they call riffs. Whilst even the most seasoned acts can buckle under the weight, newcomers Throne have taken to it like ducks to water, and they have a very simple method; “We just try to be honest about who we are and write the songs we want to hear,” William Michael admits. Some bands might find it all too easy to ignore those who have come before them, but for Throne it’s about bringing together the new and the old. “It’s like trying to strike a balance between honouring traditions and bringing something new,” the London-based bassist admits. Well, it’s an approach that is working well and 2013 looks set to be a big year as it will see them releasing their as-yet-untitled debut album as well as heading out to Texas for SXSW, “and we’ll have a go at the rest of Europe too, fuck it,” William laughs.

There’s a whole stack of reasons why Throne should be one of your … Read More

Raise hell, get seduced by the dark and shun the light – three things WITCHGRAVE make us want to do in 2013. The young Swedes have just vomited forth their first full-length and it’s not been off the Iron Fist stereo since it landed. Hearing everything from Venom to the blues in there we had to find out more and sent DAVE SHERWOOD to the cabin in the woods to infiltrate the coven.

“Vomit on the fucking priest!” That’s probably the best greeting we’ve had from a band this issue. And it’s no surprise that it comes in email form from Swedish youth gone wild, Witchgrave. Their self-titled full-length arrived in our postboxes like an early “fukk you” from Santa just before Christmas. Fitting since we’ve not exactly been the best-behaved children this year. The album, which contains juvenile blasts of thrashing fury such as ‘Seduced By The Dark’, ‘Raise Hell’ and ‘The Virgin Must Die’, is just the dose of merciless, Venom-ous, old metal brilliance we needed to end the old year, and ring in the new. Witchgrave are inhuman, they’re forged from the molten wax of someone’s complete Neat Records collection which has been burned (and died). A little bit of … Read More

If you described Attic as a traditional heavy metal band from the famous Ruhr area (Kreator, Tankard, Sodom), obsessed with occultism and dripping in late 19th century gothic atmosphere, their guitar player and main composer Katte would be chuffed. Always a stronghold for any kind of back-to-basics subgenre, Germany has lately had an extremely healthy underground scene, where black/thrash (Desaster, Nocturnal, Cruel Force) and heavy metal (Iron Kobra, Alpha Tiger, Serpent) collide. But no matter how hard he tries to defend himself in the wake of their first European tour, opening for The Devil’s Blood, he knows too damn well about that gigantic elephant in the room.

The man knows all about the business of living in someone’s shadow: in 2006, he founded Erazor, which owed more than a large debt to Dissection. Around the same time, he briefly played in Warhammer, Germany’s answer to Hellhammer. Still, it seems impossible now not to have the names Attic and Mercyful Fate in the same sentence and Katte acknowledges it, even if he says that he’s always been more into “obscure heavy metal” the whole time and that he had a secret plan to form an occult band in this vein for a … Read More

2012 is dead and gone, and by the time you read this, it’ll be as distant a memory as the trees who met their doom to give this story life. It was a good year for a lot of things, and a terrible one for others, of course (the passage of time is funny like that), but, to abandon the bigger picture and hunker down into our black metal bunkers for a few hundred more words, it’s been a goddamn fantastic year for the strange little beast known as British black metal. After years of enduring the dread goblin king Dani Filth’s stranglehold on the title, a good number of UK lads got their collective shit together and released a bumper crop of killer jams that roved from Winterfylleth’s grandiose Northern sagas and White Medal’s crippling Yorkshire steel down into Anaal Nathrakh’s Brummie madhouse and further into smoke with the return of London’s grimiest, Necrosadistic Goat Torture. Toss in Wodensthrone, Code and A Forest of Stars, and Blighty’s not doing too poorly. Now that said banner year has ended, one’s holding onto the hope that the trend will continue to bear fruit, and thanks to the Southern boys in Fen, … Read More

There’s a particular type of scream in heavy metal that sends shivers down the spine. It’s a key signifier – like a yell from beyond that acts like a clarion call to all heavy metal heathens. If you have the scream all is good in the world. Halford had it – he was the king of the sustained “yeaaaahhhhh”. Dio, Kiske, Adams – hell, even Deceptor who are featured elsewhere in this issue have the scream. It’s up there with the Tom G “OOH”. The “yeah” in ‘Number Of The Beast’ takes some beating, but 27 seconds into brand new single ‘Mesmerised By Fire’ by Swedish leather boys Enforcer and we’re won over. We’re home. There’s something so comforting about that high-pitched cry of determination. Fuck the world. We are heavy metal. We are strong.

There’s always that fear of the new. It’s not a worry that’s left only to the metal tribes, all groups of music fan have it we’re sure, but it’s maybe moreso in heavy metal because it’s a love born of passion and, yes, we’ll admit it, ownership; so when a band you’ve loved since you heard their demo in 2006, and who you’ve made a pact … Read More

 

That Cathedral mainman Lee Dorrian has a soft spot for hardcore, punk and grindcore is no secret. But on some downtime from writing the last ever Cathedral record he, guitarist Gaz Jennings, bassist Scott Carlson and producer Jaime Gomez Arellano picked up their weapons of choice and a new(ish) band was born. Miles Hackett finds out more…

Late last year, when it was announced that seminal grindcore legends Repulsion were making a rare trip onto UK soil in May there was a wave of excitement at IFHQ, but upon further inspection, who was this band Septic Tank billed as opening up? The press release spoke of Replusion’s own Scott Carlson being a member alongside Cathedral men Lee Dorrian and Garry Jennings alongside music producer Jaime Gomez Arellano. We had to speak to Lee to get the lowdown on this mysterious band that have been under our radar since 1994. Lee tells the story of how it came about: “Well, it dates back to the time that Cathedral were signed to Columbia, we had a lot of line up changes and due to the money we were receiving from the major, we took advantage and hired people from bands like Pentagram and … Read More

A mysterious and ancient curse resides in the bowels of Catalonia, or so it seems when listening to the putrid expulsions of 13th Moon. They sound like the dank, cobweb-infested halls of death; like a Lovecraftian nightmare. In a similar way to fellow countrymen Teitanblood, it appears that this band goes far beyond the act of simply “making music”. Little information can be garnered about this band, save what has recently been advertised online by Exitium Productions, who will be putting out their demo ‘The Pale Spectre Over The Worm’ on cassette in early February. All that can be sourced are a couple of tantalising videos comprised of murky found footage of catacombs, nocturnal witch cults and desolation. The available tracks show such promise that 13th Moon will no doubt become a feared name in the world’s underground scene. We tracked down main man Naashahas to talk about the impetus behind this horrid black/death hybrid, and to shed light on the future. He replied in a suitably obscure manner: “The chthonic call from the depths of the earth-mind.” Inspiration for the name derives from a wealth of interest/practice in the occult: “The Moon represents our dark mother Lilith-Hecate-Lamashtu-Kali… her most violent, dangerous and … Read More

Don’t you dare tell RS that Lie In Ruins and Desolate Shrine, the two bands he’s part of, are alike; “That’s total bullshit. The only link between those two is I’m doing the vocals for both, but I don’t have any lyrical nor musical responsibilities in the latter.” Ask Desolate Shrine’s ‘real’ boss LL what he thinks then and he’d agree that that, “the only link those two are our singer and the fact that we all know each other, share a rehearsal place, drink some beers now and then and operate the within the vast genre that is death metal, but even that’s a bit different.” Indeed, while Lie In Ruins’ 2009 ‘Swallowed The Void’ release was a classic yet solid throwback to the good old days of early ’90s Finnish death metal, Desolate Shrine’s 2011 debut ‘Tenebrous Towers’ and brand new ‘The Sanctum Of Human Madness’ album are different beasts altogether, two epic albums released only a year apart. Described by its creator as an album whose “lyrical, musical and graphic concept all revolves around the darkest corners of human mind – you can see it as a journey to the gates of hell if you will,” ‘Sanctum’ is … Read More

The demise of the local record shop is saddening on many levels, but the pinboards consigned to the skip out back is maybe the most heart-breaking. For where else can you find notices about crates of NWOBHM 7”s for sale, weed-smoking/doom-loving room-mates needed and most importantly little tabs of scrawled phone numbers asking if anyone wants to start a band. For that is exactly how the ’80s obsessed metal nerds of Alpha Tiger met. “I saw a notice on a board in our local music store. Someone was searching for another guitar player so I called him and we met,” explains guitarist Peter Langforth. “It was Alex [Backasch, guitars] and fortunately we had a similar taste in music.” That similar taste is music encompasses everything from “Metallica, Judas Priest, Iron Maiden, Queensryche, Crimson Glory, Fates Warning and Riot,” which is alright in our book! The band formed as Satin Black in 2007 and were quickly snapped up by Karl Walterbach, he of Noise Records fame, for his new imprint Sonic Attack, but a line-up change and name change later and the band found themselves on the stages of Keep It True and Hellfest festivals and on Century Media Records for their new … Read More