Iron Fist Magazine

PLAY AND RECORD: THE KING FOWLEY/OCTOBER 31 MIXTAPE

We’ve been enjoying our recent C90 series. Okay, fair enough, it’s hardly original. What music magazine has not, in one form or another, asked musicians to create a playlist of bands rarely off their turntables? It’s a classic and we have no shame. But this one is especially exciting as it’s actually happening. This is not a fictitious mixtape of songs and bands that inspired the artist, this is a list of songs and bands that the artist – none only than King Fowley of the mighty Deceased – has covered and gathered together on the aptly-titled ‘Metal Massacre 31’ with his equally mighty band October 31. Out on November 25 via Hells Headbangers King kindly explained his reasons behind each cover and offered us the first full stream of the album to get your teeth into. If you’re a sucker for those early Metal Blade compilations and love early American heavy metal from Hallows Eve to Omen then this will get your engines revving. All hail King Fowley. All hail ‘Metal Massacre’ compilations. All hail propa ‘eavy metal.

STREAM ‘METAL MASSACRE 31‘

Metal Massacre 31 by OCTOBER 31

1. ‘Cross My Way’ by DEATH DEALER “This is track 2 from ‘Metal Massacre 4’. A killer French Canadian … Read More

ROOT INTERVIEW: “I AM A PROUD EGOTIST AND EVERYONE CAN KISS MY BARE ARSE”

As one of the world’s most groundbreaking metal masters prepare to release a brand new album (see the video below for a sneak peak) we look back to the creation of one of extreme metal’s most influential albums. In 1990 it would perhaps not be as noteworthy were it created in the West, but behind the Iron Curtain, in what was then Czechoslovakia, it faced the threat of arrest and even imprisonment. GUY STRACHAN spoke to BIG BOSS of ROOT about the making of ‘ZJEVENI’

Although ‘Zjeveni’ sees its 25th anniversary being celebrated with a deserved re-release courtesy of the I Hate label and the debut album of long-standing Czech black metallers Root is rightly held up as one of the early foundations of the second wave of black metal, the band’s leader and vocalist, Jiří ‘Big Boss’ Valter, is today less than keen to discuss the work. “You must know I’m 63 [years] old and I forgot a lot of things from that era,” he says by way of a preface to his email interview, “and now we prepare and work on [our] tenth album.”

The son of a university professor, Valter grew up in a musical household in the town … Read More

HIT THE LIGHTS: KING DIAMOND AND ANGEL WITCH GIVE LONDON A MASTERCLASS IN HEAVY METAL

KING DIAMOND + ANGEL WITCH THE FORUM, LONDON JUNE 2016

It’s been a long time since since King Diamond played a theatre show in London. The last time was a sweltering night in June 2006, yet almost a decade to the day he’s back and this time he’s not some cult, underground curiosity. Years of touring the big international festivals and a surging interest in traditional heavy metal has meant the corpse-painted, baby-wielding, ghost-believing raconteur has become a Danish cultural icon on a par with moody gothic crime dramas, bacon baps and controversial doodles of religious prophets.

The King, as he’s affectionately known in Iron Fist circles, does not elicit the kind of fair-weather fan merely intrigued by his kitsch theatrics and soaring voice, they are devotees and tonight, The Forum, a grand proscenium arched arena worthy of the Mercyful Fate mainman, has gathered the familiar and the frenzied into its halls. What is so great about intimate theatre shows is that while festivals are 30,000 strong, the few – in comparison – that are here tonight are the dedicated ones and you can feel the energy brewing in the queue snaking around the venue.

In the run up to the concert the rumours of … Read More

BULLDOZER INTERVIEW: “IF YOU BEHAVE LIKE A HERETIC YOU CAN’T EXPECT SUCCESS”

From being one of the most hated early thrash bands to one of the most cult, Italy’s BULLDOZER forged their own path throughout the ‘80s, burning the rule books along the way. From being signed to Roadrunner, almost collaborating with King Diamond and inspiring The Prodigy. GUY STRACHAN relives those days of wrath with frontman AC WILD

Before the release of ‘Reign In Blood’, thrash metal was generally treated as a bad joke by much of the mainstream media. Bathory, Voivod, Hellhammer, Sodom and even Slayer themselves received at least one vicious slaughtering from at least one major metal magazine during their tentative years, but there was one band who, perhaps more than any other, was on the receiving end of continual, indescribably harsh criticism (such as Kerrang!’s “the worst band ever”) that commenced with their debut 7″ and taking until the band’s fourth LP before they finally received some grudging respect outside of their fan base. That band was Italy’s Bulldozer who, after calling it quits as the ‘80s ended, surprisingly picked up the baton again in 2009 with the release of ‘Unexpected Fate’. “We had several requests from fans but Andy [Panigada, guitars] and I were conscious that we could … Read More

KING DIAMOND TO PLAY LONDON IN SUMMER 2016

King Diamond will return to the UK next year, on Tuesday 21st June at London’s O2 Forum Kentish Town. And as part of their live set, they will perform the ‘Abigail’ album in its entirety for the first and possibly last time ever in the UK. The band have promised that “This will be the most ambitious theatrical horror production by King Diamond to date. Both sonically and visually this will take the band to a whole new level.”

For a taste of what to expect check out this performance from last summer’s American tour: 

Tickets are on sale now at www.seetickets.com

And just if you thought you were getting no presents for Christmas Metal Blade have just re-issued ‘The Spider’s Lullabye’ on CD and vinyl, so you can treat yourself. The CD will be released as a double-Digi-CD featuring a bonus-CD that includes the rare and previously unreleased demos for the album. The LP comes as a double gatefold vinyl including all the bonus tracks as well. Get your copies of “The Spider’s Lullabye” and “House Of God” from Omerch

ISSUE 6 – DIAMOND GEEZER

It was so good to have KING DIAMOND back on British soil this weekend… and it’s good to have the King on the cover of Iron Fist issue 6. When we started this magazine a year ago (yep, we can’t believe it either!) it was always our dream interview and with the 30th anniversary of ‘Melissa’ coming up (we can’t believe that either!) Damien spoke to the man himself about his whole career, from Brainstorm to Bloodstock… he even hinted at a possible Fate reunion… we live in hope!

Putting issue 6 together was carnage, we must admit. It’s festival season, which means that most of our team were lying face down in a field somewhere in Europe rather than tethered to our keyboards, but we managed it – despite insane hangovers from Muskelrock, Metallsvenskan, Bang Your Head or Hell’s Pleasure.

In this issue we’ve tied down some in-depth exclusive interviews with cult Italian masters DEATH SS, British thrash overlords ONSLAUGHT and death dealers EXHUMED. Olivier ‘Zoltar’ Badin also spoke to both Chritus Linderson and Scott Reagers (who NEVER does interviews) about two SAINT VITUS albums that he believes deserve more attention.

We’ve also got interviews from RAMMING SPEED, CAUCHEMAR, GORGUTS, BESTIAL MOCKERY’S … Read More

KING DIAMOND INTERVIEW: “I DATED ONE OF ANTON LAVEY’S DAUGHTERS”

With our friends in Sweden and Belgium tantalising us with tales of KING DIAMOND‘s recent European Festival tour and the fact that ‘MELISSA’ is rarely off our stereo in the run up to its 30th Anniversary this Autumn, we knew that we wanted to interview the King of all evil. We sent GREG MOFFITT off for a dangerous meeting with the man himself to talk about his whole career from BLACK ROSE to BLOODSTOCK and most importantly the fate of MERCYFUL FATE…

How and when did you first get into music? “I had a little transistor radio with a cassette deck built in and I used to listen to rock programmes in the afternoon and record some of the songs. Then I saved up from my allowance and eventually got a reel to reel tape machine, which was great because I could even record from the TV with that! Then in ’71 I got my first turntable, which I could plug into the reel to reel machine. That was stereo and that was a big deal! The first three vinyl albums I bought were Deep Purple’s ‘Fireball’, Black Sabbath’s ‘Master Of Reality’ and Jethro Tull’s ‘Aqualung’. Obviously I’d already heard ‘Paranoid’ and ‘Black … Read More

SAINT VITUS INTERVIEW: “WE ALL AGREED THAT WE HAD TO LEAVE THE SCENE WITH A BANG”

Scott ‘Wino’ Weinrich and SAINT VITUS… ubiquitous, right? Wrong! According to Iron Fist’s resident doom archivist OLIVIER ‘ZOLTAR’ BADIN the sole album with CHRITUS LINDERSON and the final album from original singer SCOTT REAGERS deserve a place in the hallowed halls of metal just as much as ‘Born Too Late’…

There’s a black hole in Saint Vitus’ story. No, not the early days when spat on by punks and metalheads alike in the mid-’80s at low-key shows in shitty clubs, where they still delivered the goods and released all-time classics like ‘Saint Vitus’ or ‘Born Too Late’. Nor during that 12 years silence when their legend kept growing, despite the band’s lack of activity. We’re actually talking here about the first half of the ’90s when everybody seemed to be against them, including their core fanbase and even of some their own former members. Sitting in the accusation chair is 1992’s ‘C.O.D.’ and 1995’s ‘Die Healing’: while the first has gained the rare status of being their less-revered album, right next to ‘Mournful Cries’, the second split opinions with the return of their melodramatic original singer Scott Reagers and it’s very-metal production. The fact that the latter would turn out to … Read More

ISSUE 1 – THE DEVIL’S GRIP

WELCOME to the first issue of Iron Fist. I can’t believe I’m writing the editorial to this magazine. It’s been an exciting but stressful few months from conception to birth. The magazine was born, like all good things, after some serious drinking and instead of waking up laughing off the insane ideas that were discussed over good wine, good friends and good music, I was encouraged to make a go of it, and here is the first in hopefully many issues of a magazine solely dedicated to heavy fuckin’ metal and its bastard offspring.

The first time I realised this was needed was when watching King Diamond at Hellfest. I was utterly inspired by a man, who despite everything he’d been through, put on a real, old-fashioned triumph of a rock ‘n’ roll concert. He didn’t just play a show, he put on a show. If I could distil just one tenth of that passion, excitement and invention into Iron Fist then I would have succeeded. After much soul-searching (and running away to a beach in Devon!) I decided to get my arse into gear.

I couldn’t have done it without the support of the Iron Fist crew, for whom I now … Read More

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