Iron Fist Magazine

BIG TEASER: STREAM ‘MERCILESS HAMMER’ FROM OCCVLTA’S BRAND NEW ALBUM ‘NIGHT WITHOUT END’

Although this horde of black metal brothers have existed as a unit for 13 years, OCCVLTA have two short recordings to their name, the 2010 ‘We Command The Wolves’ demo and a 2012 split 7” with the UK snarlers Salute. Having existed mostly as a live unit, with legendarily primal, in-your-face appearances at Live Evil, Muskelrock and Metal Magic, the time has finally come for Occvlta’s first full-length to surface from the depths of the German underground. Iron Fist have been given an exclusive stream of ‘Merciless Hammer’ so we caught up with vocalist Hord to find out more about the song and upcoming album ‘Night Without End’…

“‘Merciless Hammer’ was our first attempt at writing a d-beat song. Most of the album comes in at a much slower pace. None of us were ever into d-beat punk bands but we are all big Motörhead fans, so when Torm [drums, brother of Hord] came up with the main riff we decided to write a whole song in that punk style. It just felt right. It gave some sort of primal satisfaction. I had the title in my head for a while and wanted it to be primitive and brutal. Occvlta is evil … Read More

BULLDOZER INTERVIEW: “IF YOU BEHAVE LIKE A HERETIC YOU CAN’T EXPECT SUCCESS”

From being one of the most hated early thrash bands to one of the most cult, Italy’s BULLDOZER forged their own path throughout the ‘80s, burning the rule books along the way. From being signed to Roadrunner, almost collaborating with King Diamond and inspiring The Prodigy. GUY STRACHAN relives those days of wrath with frontman AC WILD

Before the release of ‘Reign In Blood’, thrash metal was generally treated as a bad joke by much of the mainstream media. Bathory, Voivod, Hellhammer, Sodom and even Slayer themselves received at least one vicious slaughtering from at least one major metal magazine during their tentative years, but there was one band who, perhaps more than any other, was on the receiving end of continual, indescribably harsh criticism (such as Kerrang!’s “the worst band ever”) that commenced with their debut 7″ and taking until the band’s fourth LP before they finally received some grudging respect outside of their fan base. That band was Italy’s Bulldozer who, after calling it quits as the ‘80s ended, surprisingly picked up the baton again in 2009 with the release of ‘Unexpected Fate’. “We had several requests from fans but Andy [Panigada, guitars] and I were conscious that we could … Read More

INTO BATTLE: BLACK VIPER

Apologies to the guy in Black Viper who our editor attacked outside The Little Devil in Tilburg during Roadburn Festival. She overheard him telling some guys in the smoking area that he was in this “new band called Black Viper” and she just sort of grabbed him and scratched him, which is kind of her way of saying ‘Your band is fucking great’. They are. Marek Steven is less violent so we sent him to find out more about them.

Storming With Vengeance demo is great. Can you introduce us to Black Viper? Cato: The band actually started around 2012 as a one-man project because I made some riffs which didn’t fit into [his other band] Deathhammer, but I thought they were good enough to make something out of. I then made some demo tracks without vocals but didn’t release them. I also started to record an EP in 2013 but that also didn’t get finished. Then I moved to Oslo in 2013 right where Arild and Christoffer live. I hooked up with them and Black Viper finally became a full band. Then we rehearsed without vocals for a while – as we couldn`t find anyone who could sing – and we … Read More

BANG TO RIGHTS: “LIVE EVIL FESTIVAL STANDS DEFIANT IN THE WAKE OF MEDIOCRITY BY SHOWCASING RAW TALENT DIRECT FROM THE COALFACE”

For the country that gave heavy metal to the world we don’t do so well in the way of big festivals. Gone are the hairspray and cocaine-fuelled glory days of the ’80s when the titans of the genre would descend on Castle Donington for the Monsters of Rock festival and full-scale tours spanning the length and breadth of the island seemed ten a penny. We don’t fare badly but nowadays Donington is more synonymous with the Download Festival than being home to the real heavyweights (bar Sabbath and Maiden naturally), and you’ll be lucky if a UK tour is comprised of more than four or five dates.

Metal is built firmly on its underground scene – this has been the case since time immemorial – and as always it falls to this underground to remind the true of what metal really means. Lucky for us here in the UK then that the fans are taking the power back, and though unable to parade a collection of bands on the scale of Monsters Of Rock, the likes of Brofest in Newcastle and Live Evil Festival in London are standing defiant in the wake of mediocrity and plastic music by showcasing raw talent … Read More

HORISONT INTERVIEW: “IT’S ALL ABOUT THE ’70S”

Initially a part of the Crusher Records (Spiders, Dead Man, Troubled Horse) roster, Horisont were originally perceived as another of those retro-rockers from Sweden, seemingly happy to surf on the nostalgia wave and have an excuse to wear bell-bottomed jeans. Except that there’s always been something a tad weirder and out-there with them and not just due to their occasional Swedish lyrics. Still, many will be surprised by their fourth full-length ‘Odyssey’, a 65-minute tour-de-force that sees them coming out of their shell and heading for the stars with space rock and classic prog influences abound and a solid dose of vintage synthesizers. Blasphemy? No, a simple and very human longing for evolution says their frontman Axel Söderberg.

Two years ago when you promoted your third full-length ‘Time Warriors’, you made no secret that it was style-wise very close to its predecessor and your Rise Above debut, ‘Second Assault’. Yet ‘Odyssey’ doesn’t follows the same pattern does it? “Indeed as the previous two full-lengths were kind of made in a rush. Don’t get me wrong, they’re great as they are but after ‘Time Warriors’ we knew right away that we would need more time for the next one so we could do the … Read More

INTO BATTLE: FLIGHT

Flight is the latest collaboration to emerge out of Norway’s ‘Kolbotn Thrashers Union’; a comical term invented some time ago to support the mass of talent in this mystic part of Norge. Flight shares its members with those in Condor, Gouge, Purple Hill Witch, Mion’s Hill and Mabuse. Bass player and co-founder, Jonas Bye tells us about the formation of the band: “We always drink beer and listen to Judas Priest. I guess the idea of Flight came naturally because we weren’t playing in a heavy metal band at the time. It wasn’t really a conscious choice.” After having the pleasure of listening to Flight’s un-released rough demos, it is safe to say they are far more enriched in the rocky pre-NWOBHM sound. Jonas elaborates on their less-common played style of heavy metal; “We play what feels the best for us and we try to experiment a bit in that frame. It’s not like we try to make a blueprint of ’77 heavy metal. We are gripped by influences from all over. Nobody except Iron Maiden can be Iron Maiden”.

Talking with Jonas about the lack of distinctive band names today, unlike the original and self-explanatory bands such as Saxon … Read More

INTO BATTLE: SATANIC DYSTOPIA

Disgusting, crust-ridden speed thrash. From the North of England. Utter scum. We can’t get enough. Al Osta (vocals), Oliver Turner (guitars), Callum Cox (drums) and James Lawrence (bass) admit they have a “penchant for all things heavy and fast” but that’s an under-fucking-statement, for sure. With a nod from Fenriz on his blog, Satanic Dystopia are heading for the big smoke and Live Evil Festival. “We were nothing more than some frosty dudes bonding over a few choice bands whilst yearning to play evil and fast music,” they admit of their formation. “It clicked from the off and we just started writing. Satanic Dystopia was birthed into this wretched world.

“It invokes the feeling of post-apocalyptic wastelands and horror, something all good thrash is about,” they continue of the name choice. “The song titles and lyrics give the feeling of total annihilation and violence, something that will play a big part in our artwork and overall aesthetics.”

Cult movie fans, SD write songs like ‘Double Denim Shotgun Massacre’, admitting that “the band is all about paying homage to films of lesser quality, but brilliant films in their own right. There is an incredible world of crazy horror, sleaze and action beyond the … Read More

ANTICHRIST INTERVIEW: “IT WOULD BE DISAPPOINTING IF THE POPE WAS INTO US”

When Live Evil was launched in 2010 it made the crazy decision to base its booking policy 100 per cent on the acts picked by Fenriz’s then-new Band Of The Week blog. It’s a policy that they’ve stuck to through to the third edition this month – if he keeps unearthing great new bands they’ll keep booking them. But of all the bands that have trod the stage at Live Evil, it’s Swedish thrash pack Antichrist that have played every single edition… it’s become a tradition. On the eve of Live Evil Attack III Dylan Hughes of A Fist In The Face Of God blog along with Brad Smith of Nocturnal Cult blog tracked down the hard-to-reach band for Iron Fist zine…

A few years ago on an email to a certain Mr Gylve Nagell I was warned to check out a new thrash band from Sweden called Antichrist. I never heard of this band and there was nothing about them anywhere online. I was ordering the Bastard Priest demo from Blood Harvest at the time and noticed they had Antichrist’s ‘Crushing Metal Tape’ demo so I added it to my order. Fuck it, a recommendation of anything with a hand-drawn cover should … Read More

WITCHGRAVE INTERVIEW: “WE HAD TWO GOALS: GET DRUNK AND MAKE A RECORD”

Raise hell, get seduced by the dark and shun the light – three things WITCHGRAVE make us want to do in 2013. The young Swedes have just vomited forth their first full-length and it’s not been off the Iron Fist stereo since it landed. Hearing everything from Venom to the blues in there we had to find out more and sent DAVE SHERWOOD to the cabin in the woods to infiltrate the coven.

“Vomit on the fucking priest!” That’s probably the best greeting we’ve had from a band this issue. And it’s no surprise that it comes in email form from Swedish youth gone wild, Witchgrave. Their self-titled full-length arrived in our postboxes like an early “fukk you” from Santa just before Christmas. Fitting since we’ve not exactly been the best-behaved children this year. The album, which contains juvenile blasts of thrashing fury such as ‘Seduced By The Dark’, ‘Raise Hell’ and ‘The Virgin Must Die’, is just the dose of merciless, Venom-ous, old metal brilliance we needed to end the old year, and ring in the new. Witchgrave are inhuman, they’re forged from the molten wax of someone’s complete Neat Records collection which has been burned (and died). A little bit of … Read More

INTO BATTLE: BLACK MAGIC

Norway’s Black Magic are one of the best kept secrets in the metal underground. The exceptional three-piece was formed in 2006 after drummer Cato Stormoen (also of Deathhammer) approached singer/guitarist Jon Henriksen to form a new act (they later added Daniel Salsten on bass duty). Their first self-released demo ‘Raise The Dead’ showed they had a real talent for raw Hellhammer’ing but it was the 2010 ‘Reap Of Evil’ demo that caught many a tuned-in metaller’s ear. This three-track affair added more straight-ahead heavy metal elements into their evil attack, mixing a variety of styles into one of the best heavy metal tracks released in the last ten years. The key weapon in the bands arsenal is Jon’s fantastic vocals and incredible axe-work; the naturally charismatic Ralph Macchio-looking frontman has a mean set of warm heavy rock pipes and a loose way of both singing and playing guitar that is rare in the modern age. His natural charisma and ability results in that rare mix which comes along only so often, while the live show is highly entertaining, unpredictable and punctuated by fantastic covers of Rush, Uriah Heep and Quartz. The band have done no interviews and you shouldn’t expect … Read More

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