Although this horde of black metal brothers have existed as a unit for 13 years, OCCVLTA have two short recordings to their name, the 2010 ‘We Command The Wolves’ demo and a 2012 split 7” with the UK snarlers Salute. Having existed mostly as a live unit, with legendarily primal, in-your-face appearances at Live Evil, Muskelrock and Metal Magic, the time has finally come for Occvlta’s first full-length to surface from the depths of the German underground. Iron Fist have been given an exclusive stream of ‘Merciless Hammer’ so we caught up with vocalist Hord to find out more about the song and upcoming album ‘Night Without End’…
“‘Merciless Hammer’ was our first attempt at writing a d-beat song. Most of the album comes in at a much slower pace. None of us were ever into d-beat punk bands but we are all big Motörhead fans, so when Torm [drums, brother of Hord] came up with the main riff we decided to write a whole song in that punk style. It just felt right. It gave some sort of primal satisfaction. I had the title in my head for a while and wanted it to be primitive and brutal. Occvlta is evil … Read More
Formed in 2014, from a mutual appreciation of NWOBHM and ’80s heavy metal, Lucifer’s Chalice is comprised of Iron Fist’s very own KShevil (also of Winds Of Genocide and Uncoffined) on drums, CW on rhythm guitar and vocals, SRM on lead guitar and DH on bass. Following a couple of live shows, the band are now ready to release debut album ‘The Pact’ via Bandcamp, which was recorded in July 2016. KShevil describes it as “35 minutes of heavy metal darkness”.
Speaking of the band’s sound, she tells us “From the day the idea for the band was conceived, it was to pay homage to NWOBHM and old US heavy metal circa 1979 – 1984, and write and play songs in the vein of Angel Witch, early Iron Maiden, Witchfinder General, early Judas Priest, early Omen, early Metallica (’82-’84 period), Diamond Head and early Mercyful Fate. Nothing more, nothing less; just create some good old ’80s sounding heavy metal with dark and sinister lyrics. So we definitely had a very specific sound in mind from the start.”
Despite the band’s collective love of all things ’80s, as individuals, they all come from completely different backgrounds with an eclectic mix of tastes. KShevil and … Read More
In this series of new bands and artists were currently labouring over, it doesn’t take a genius to work out where the new solo album by John Hoyles sits on the anticipation scale. Okay, granted he’s not new (neither is Danko Jones and he featured earlier this week), but this is a new direction for the man behind Witchcraft and Spiders.
London born and bred, the young tyke moved to Sweden in his formative years and pretty much kickstarted the retro doom revival in 2000 with the incredible Witchcraft. After jumping the ‘craft he formed the glam-tastic Spiders and again we were floored.
Now its time for an eponymous trip, again with his pal Axel Sjöberg from the recently deceased Graveyard along for the ride. With a ’70s proto punk, garage rock vibe, John cites The Damned, Dead Boys, Pink Fairies and Stiff Records as inspiration on this latest project. “The reason I made my own record was that I wanted to try and play and produce everything myself apart from the drums,” he tells Iron Fist. “I have Ricard Harryson from Spiders and Axel helping me out there.
I recorded the solo record in between Spiders albums, it was a chance to … Read More
Last week, excited by the turning of the clock from one year to the next (and finally rid of our January hangovers) we previewed a brand new song from Finland’s Hard Action.
Promising that we would keep up the pace with a steady onslaught of new bands keeping us on our toes for 2017, we now present you Hard Action’s fellow countrymen, IRON MAGAZINE.
Now it doesn’t take a genius to figure out why a band with a name like Iron Magazine might prick our ears. But beyond the slightly gushing adoration of a name not unlike our own, we would’ve been slathering over this regardless being that it features Mr Jussi Lehtisalo, the mastermind behind Ektro Records and also Aktor, a band that saw Jussi team up with master of modern metal Professor Chris Black to give us a wildly underrated, AOR-tinged, slightly bonkers, time-travelling heavy metal dream back in 2013.
Equally bonkers, nostalgic and oh so mighty, the brand new ‘Queen Of Hell’ EP is out March 17 via Ektro and features the one-and-only Danko and John Calabrese from Danko Jones along with Jussi and his Circle/Falcon bandmate, Tomi Leppänen.
This is sunglasses-at-night rock, leather jacket sleeves rolled up and lasers set … Read More
By the grace of god, Iron Fist #19 has head off to the printers, and while it’s been a bit supershitty to the max to get this magazine into some degree of high visibility, we managed to finish off 100 pages full of the most grande rock, with the usual mix of new bands who will refute the claim that rock ‘n’ roll is dead, and the bands who have been around for years payin’ the dues. Now, we don’t want to be giving any clues as to who’s on the cover but we’ve been giving some hard stereo time to the type of band of late who know that you can’t pull from one limiting genre pool to create musical genius.
If you’re inspired by the three ring rock n roll circus of the ‘head, missed the last bus home like Lynott, live your life on Permanent Vacation, chill out to a bit of jazz, cool down with the blues, rev it up with some sleaze, are born to be wild and walk on the wild side, then you belong in our pages and over the next few days we will be highlighting some of the bands we think will take … Read More
We’ve got to admit something. We slept on Power Trip. We didn’t cover them with their debut album ‘Manifest Decimation’ back in 2013. We thought they were a hardcore band. They are a hardcore band, in ethics, culture and history, but they’re a hardcore band that plays furious thrash a la Sacrilege, Nuclear Assault and early Megadeth. We can feel Dan Lilker tutting at us from afar.
Frontman Riley Gale says he doesn’t mind. He understands. “You look at classic albums like ‘Behind The Realms Of Madness’ by Sacrilege or ‘Best Wishes’ or ‘Age Of Quarrel’ by Cro-Mags, that’s the apex of what I like about aggressive music and the band feels that way too, but we’re very much trying to be ourselves,” he says trying to make us feel good about ourselves, but still making us still feel like idiots for sleeping on such a vital new voice in thrash metal. “Any band wants to have their own identity but our band is almost based on not having an identity so to speak. It’s an interesting place for us to be in ‘cos as we’ve got bigger, people have asked, ‘Well, what are you about? What’s your image?’ and well … Read More
Spitting black fire since 2000, Vornth have followed their self-titled 2013 debut with a second album of Venom-ous filth. ‘Black Pyres’ is out today as a Samhain offering, with lashings of Teutonic thrash fury, blackened ire and traditional heavy metal speed. Hailing from Sweden, the band have returned to the Iron Tyrant family – home of Profanal, Mortuary Drape and Culte Des Ghoules – and feature Janne Rimmerfors on battery, Ewil Johansson on bass and Erik Blackflexer on guitars.
Citing “our own Electric Blood” as their only influence (despite hearing Kreator, Destruction, Mercyful Fate and even early Candlemass proudly in their sound) they say of today’s heavy metal scene that “Rock ‘n’ roll should be strong and alive. Metal should be more strong and more alive.”
We couldn’t agree more. “We chose Iron Tyrant and they chose us,” Erik continues of working with such an eminent underground heavy metal stable. “It’s a brotherhood if you like. You always see who and which bands are going strong when times get rough; that is the real difference between illusion and the definitive. We feel part of a community of hard working musicians and artists that fight with integrity no matter what. We are Vornth which we have proven a long time … Read More
NYC noise duo Uniform have gotten into the Halloween spirit by trick or treating (depending on where you stand on their take on the Gods) us with a cover of Sabbath’s ‘Symptom Of The Universe’. Taken from their brand new 12″ ‘Ghosthouse’, out via Sacred Bones Records, their version is a tad more bleaker than the “summer skies of love” of the lyrics.
Sabbath are no strangers to having their catalogue covered; it’s a standard go-to for almost all burgeoning bands jamming in garages around the world, and most covers tend to stick pretty close to the original. We here at Iron Fist want to tip our cap to the brave and downright blasphemous, like Uniform, who take the blueprint laid down by Iommi and co, and fuck with it. Here are a few of our favourite shocking takes on the Sabs from over the years…
LISTEN TO UNIFORM’S ‘SYMPTOM OF THE UNIVERSE’:
Ghosthouse by Uniform
GONGA – BLACK SABBETH – FEATURING BETH GIBBONS Black Sabbeth by GONGA This one came out of the leftfield, as who knew trip hop chanteuse Beth Gibbons from Portishead would lend her ethereal charm to Sabbath’s self-titled classic so flawlessly. But back in 2014, Bristol-based doom trio Gonga not only … Read More
When not sticking to a good ‘ol cuppa at Europe’s most psychedelic festival, Patrick Walker is 40 Watt Sun, Britain’s most evocative doom band since, well, Warning. In Iron Fist #10 Sarah Kitteringham spoke to him about musical catharsis, influences and a potential new album…
Two years on and that album is here. To mark the release of ‘Pictures’ (scroll down for a sneak preview), a new song from the forthcoming ‘Wider than the Sky’ (out on October 14 on the band’s own label Radiance Records) we are re-publishing that article in its entirety. Welcome back Mr Walker.
Guitarist and vocalist Patrick Walker was just 17-years-old when he formed Warning. The band, and the project that followed in the wake of their final breakup in 2009 – the luminous 40 Watt Sun – inspire flagrant emotional hyperbolic description that seem entirely out of place within the realms of metal. This is music that gives you the “feels”.
Emotive descriptors aside, 40 Watt Sun’s music is slow and dense with dynamic Sabbathian bass lines and reverb soaked percussion; the cymbal work gives the music light and shade, bouncing alongside Walker’s simple, cascading riffs. The vocals are expressive and clean; in contrast the guitar tones are beefy and … Read More
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