Ex Vitus and current Lord Vicar mainman Christian Linderson is back with some new stoner jams. Olivier ‘Zoltar’ Badin worships the Goatess.

“Based on my past experiences, some people may believe that I’m hard to work with, whereas it couldn’t be more the opposite. I love playing in bands and the camaraderie that goes along with it,” stresses Christian ‘Chritus’ Linderson with a grin. However, one could easily underline that ever since Count Raven’s debut ‘Storm Warning’ came out in 1990 the man has never had the chance to put out more than two albums with the same band! So far that is, as he’s been working lately on the third Lord Vicar third full-length with former Reverend Bizarre Kimi ‘Peter Vicar’ Kärki. But when asked about his other current active band Goatess, he says that he sees it as, “first and foremost, a bunch of long-time friends who just love doing music together and plan to keep doing so for many years.”

The band started off in 2009, first as Weekend Beast, with just him and guitar player Niklas “jamming out ideas for the sake of it.” “We hit it off so well together that the music started to flow very easily,” … Read More

There have not been so many wicked women bewitching the heavy rock world as there is now. Jinx herself must be so proud. But the high priestess of them all is most certainly the majestic JEX THOTH. With a new EP and album out this summer, KIM KELLY comes listen to her sermon

Jex Thoth is a busy woman. Fawned over and fetishised as one of occult rock’s true High Priestesses and a devilishly talented musician in her own right, she is a quiet enigma floating airily through a thicket of over-sharers. There isn’t a ton of information about her out there, and this wilful silence has led many to style her as a mystical entity, or at the very least, one that likes to keep people guessing. That’s how she likes it, too, telling Iron Fist, “Jex Thoth is the most personal to me of all my projects and too much tampering with how I relate to my own experience will most certainly have an effect on the music over time.” Right now, her ambient ‘Circle’ EP’s still cooling gently on the windowsill while Jex preps for the release of her next full-length, ‘Blood Moon Rise’ (on I Hate Records). … Read More

Splits, spouses, sludge and selling out… Japanese death doom dealers COFFINS take KIM KELLY to ‘THE FLESHLAND’ to talk their past, present and future

The Land of the Rising Sun has earned its out-there reputation about a billion times over by now, so it’s always a bit refreshing to stumble across an artistic endeavour that sticks to a comfortingly familiar script instead of blasting out into the stratosphere on steel wings of glitter and tentacle porn. That’s how I felt the first time I heard Coffins, anyway, and they’ve done little to disappoint, or deviate, in the ensuing half decade. Not only have they chosen to take a path often traveled, they’ve managed to Godzilla stomp all the way down and back again without seeming to break a sweat or whip off Uchino’s ever-present sunglasses. The trio (now quartet, thanks to new vocalist Ryo) have stayed true to the same ugly, death/doom sound they’ve been peddling for most of their unlucky 13 years, though it took a while for them to arrive at that sickly sweet spot.

“Strictly speaking, we changed three times the sound style,” guitarist Uchino clarifies. “We started from 1996, playing a slow heavy junk style in ’96-’97, then … Read More

There’s a reason that black metal alchemists Sodb are one of the most buzzed-about bands in Ireland. Drawing upon their considerable combined experience (we’re talking members of Altar Of Plagues, Putrefaction, Abaddon Incarnate, Dordaid Dam, Okus, Fuck You Written In Shit…) the three men and one woman of Sodb have created some truly special music on their first release, ‘Don Seantalamh A Chuid Féin’. The atmosphere is chilling, the talent and songcraft undeniable, and songs themselves as hypnotic and emotive as anyone could wish. It’s a startlingly mature release, and doesn’t sound much like a traditional shoddy demo recording. There’s a depth to the songs that only a certain level of care and consideration can create, and it’s a fair assumption that the band’s own deeply-rooted aesthetic is the cause of it. If that name hasn’t tipped you off yet, Sodb is an Irish band in every sense of the word; half of its members even hold university degrees in Irish culture, and all save for bassist Irene Siragusa are Irish born and bred. Vocalist O’Loingsigh, whose own musical background is split between black metal and traditional Irish folk music, is happy to shed a bit of light on the … Read More

“Come, My Fanatics” It’s taken a good long while for me to write this reminiscence, much to Louise’s chagrin. It’s not my fault, though, I swear. After all, one does not simply review Roadburn. You’ve got to experience it first, let the dust settle, let it all sink in. There have been memories made, friendships forged, maybe a broken heart or beer bottle to contend with, and above all, there was the music – that glorious swirling cacophony of heavy riffs, howling voices, spacey trips, crushing melodies, industrial clangs, and even the odd blastbeat. So savour it. Swish it around your mouth like a dram of Laphroaig, and drink it down straight. Soak it all up like that first sunbeam after a bitter cold winter, and let yourself start counting the days ‘til your next stroll past the Cul de Sac and through the 013’s doors. We here at Iron Fist have what you might call a bit of a soft spot (read: all-consuming passion) for this most unique and welcoming of festivals, and are endlessly grateful to the wonderful Roadburn staff for inviting us along on their cosmic journey. 2013 was the best year yet, but then again, we say … Read More

Fans of witchy, haunting traditional metal, come take THE OATH, a new band formed by Linnéa Olsson of Sonic Ritual and DJ/Promoter, JOHANNA PLATOW SADONIS, who explains the creation of this new vision and the making of their debut single ‘NIGHT CHILD/BLACK RAINBOW’

Johanna Platow Sadonis is known to the Fist through her work as a heavy metal promoter and DJ in Berlin, so when we found out that she’d started a new band with Sonic Ritual guitarist Linnéa Olsson we couldn’t wait to hear it. “The stars aligned when Henke [Palm, Sonic Ritual/In Solitude] wrote me a mail that Linnéa had moved to Berlin and was looking to play. He suggested that we should meet. I say the stars aligned ‘cos he did not know I was looking for a guitarist at the time. I’d never met her but the moment we sat down it was sealed. We have so much in common. People ask if we are sisters all the time and in a magical way we are. Soon after my boyfriend, Simon Bouteloup, quit as bassist for Aqua Nebula Oscillator in Paris and moved to Berlin to join us. On a magical side note, before meeting me, Linnéa … Read More

Halfway to the North Pole on the Norwegian coast, Trondheim seems to be the least likely place to shelter a band like High Priest Of Saturn. And indeed, stuck between a vivid pop/rock scene and a hardcore black metal movement, the power-trio, led by foxy vocalist Merethe, stick out. Openly inspired by stoner and doom, their 2011 two-track demo was a revelation, an epic trip drowned in echoes and menacing organ lines. Fast-forward a year and a small line-up switch later and the trio’s self-titled album picks up where things were left and goes totally berserk… or should we say cosmic? “Regarding the name, we wanted an aesthetic related to Saturn, both on an astronomical and mythological level. We do like the symbolism attached to it and believe it fits our music well. And, most importantly, we just think the name sounds cool,” Merethe laughs. “Musically, Acid King is one of our main influences, next to other classic stoner doom bands such as Sleep and Om, but also ’60s and ’70s bands like Pink Floyd, The Doors and of course Black Sabbath. We also used a keyboard player for the album and his organ paints the walls in psychedelic colours; the … Read More

Something wicked this way comes, billowing down from the decaying North on winds of plague…or of genocide, as the case may be. Visions of nuclear fallout and apocalyptic raids summon wrenching flashbacks for some, and provide lyrical fodder for others; Durham’s Winds Of Genocide have always fallen into the latter camp, but now, with death/doom project Uncoffined, two of its members have ventured further afield, beyond the outskirts of Chernobyl and down along the cemetery road.

 “The band formed officially in early 2011 after myself and Glynn [Alkohall, guitars] started jamming on doom riffs during breaks at Winds Of Genocide rehearsals, where I would jump behind the drumkit and we would start jamming on Vitus riffs,” Kat Shevil explains. “I personally have always loved the dark, evil, morbid vibe of a lot of the bands who blend such a mix of traditional doom and ancient death metal together, it has a certain atmosphere in it that other styles do not possess, plus the crushing heaviness of such music has always attracted me to it. We are definitely much more inspired by the old school doom metal stuff, old Black Sabbath etc, but there is some ancient death metal, death/doom, Hellhammer, old … Read More

Their second album quickly became eBay gold. Their first gig was sold out in minutes. They’ve been invited personally by Electric Wizard to play with them at Roadburn Festival. Who the fuck are UNCLE ACID AND THE DEADBEATS and what’s behind the hype? 

With songs like ’13 Candles’ and ‘Ritual Knife’, last year’s hot album, ‘Blood Lust’, by mysterious cult Uncle Acid & The Deadbeats perhaps came at the wrong time for a modest, shy musician from Cambridge who didn’t want any fuss made over his band. The man who we know only as KR didn’t set out to be an occult rock sensation, nor did he want to be the new Ghost, but in the mad scramble for anything resembling the nameless ghouls set in motion a frenzy that is unseen in today’s apathetic music world. Blame our coverstars if you want. No band, not in years, have warranted that much press hounding or label envy. But Ghost, like KR’s psychedelic hard rock mob, grew from the underground. They were both small, demo bands, making music only on their own whims, but they caught a zeitgeist and things went bat-shit crazy.

Ghost were first, in 2010, and then all those … Read More

Corsair are a rare treat: a classic hard rock sounding from the US (Charlottesville, Virginia to be precise) who proudly wear their influences on their sleeves – think Thin Lizzy, Iron Maiden and a hell of a lot of vintage progressive rock – yet they have never sounded like a tribute-in-disguise, but more like a richer and more interesting act that is just getting started. Since forming in 2008 after guitarists Marie Landragin and Paul Sebring met at a local Black Sabbath tribute show they have released two EPs and one self-titled full-length. The latter has just been reissued worldwide by Shadow Kingdom Records, just in time to coincide with Marie and bassist Jordan Brunk’s bass return from a six months stay in France. “Paul has always been into those instrumentals Metallica had on their earliest albums and Marie loved Thin Lizzy so Corsair spun from both,” suggests Jordan, who joined a bit later. “But after we put a lot of effort into being cohesive, we started to branch out and break apart from each other as well. We love getting our guitars to intertwine while playing totally different parts.”

If their name was suggested by Paul “because of his love … Read More