It’s increasingly hard for this life-long psych-doom obsessive to get excited about new bands, but the new generation is starting to spin some interesting tales. One such act is Sussex space rock three-piece Riddles. There is a definite garage-psych vibe going on with catchy raw fuzz leads cutting through some very British vocal delivery. It’s refreshing stuff. “We are definitely influenced by our own sound,” fills in charismatic mainman Jimi Riddle. “But there are some key bands that brought us to find it, like Hawkwind, Stooges, Motörhead, early Sabbath, Pentagram and Orang-utan. But it doesn’t end there, there are so many great genres and powerful bands to come out of the ’50s, ’60s and ’70s, it’s almost impossible to list every band that made us create the vibe we have.” The broad range of influences seems to have allowed them to create a distinct sound thus far, but are they part-timers or ambitious chaps? “We all put a lot of time and effort into this band and I think we all believe in it as its own entity. You get back what you put in and so we’re putting a lot into it. It’s like a plant, we’re giving it … Read More

Drag yourself down into the lightless Vale of Pnath, into the eerie shadow of the fabled peaks of Throk and listen – what do you hear? Deranged howls of the denizens from the Plateau of Leng fill the air and you realise, it is the music of Innsmouth. From the looming fog appears three misshapen heads, likely held together by the turbans perched upon them, and you see it is the cursed ones; those whose rotted and mangled limbs made the sounds that haunted you so. Thick walls of noise, a complete disregard for compression and guitars so dense it makes the ears drip red. Says vocalist and guitarist Nightgaunt; “With tentacles clutching at our very throats and a quagmire in our hearts, how could we sound any other way?” Dwelling in the beautiful but dangerous Blue Mountains of Australia, theirs is a style of blackened death metal that honours not only the Great Old Ones but also those of this world such as Bolt Thrower, Armoured Angel and Grand Belial’s Key. Expect neither technical prowess nor showmanship from this music, rather a steady and hypnotic translation of the horrors found deep within the desolate recesses of consciousness; that ugly place … Read More

“Infant Death was formed by me and Knegge in October 2012. We both made songs and rehearsed them with me on drums and him on guitar, here in Trondheim, Norway. We got our bassist Udyr in spring last year, right after we had finished recording our debut ‘War’. He was the scariest guy we could think of and he plays a Rickenbacker. We rehearse nearly every day in a World War II-bunker.”

Whoa. A World War-II era bunker? Hellhammer/early Celtic Frost practiced in a bunker rehearsal room too. “Our basic influence is early stuff from old bands that play over ability: Venom, Exodus, Razor, etc,” Kim Kane muses. “An obscure influence might be Tina Turner. Chew on that.” What would Mrs Turner think of a moniker like Infant Death? “We needed something that we thought the common person would be disgusted by. None were though. It seems like people in general don’t know what Infant Death means here. An attitude with a naive madness is what it means to us.” This might explain Infant Death’s wonderfully antagonistic style that Kim describes as, “deadly thrash metal with black metal and grind influences. Right now we’re in the early stages of composing our third album. We will record … Read More

Boston thrashers RAMMING SPEED are back and have used their trials and triumphs of the road to hone their sound. AL BULMER asks JONAH LIVINGSTON about being the bastard child of Disfear and Thin Lizzy

It’s not that Ramming Speed’s Prosthetic debut ‘Destined to Die, Doomed to Destroy’ is unfathomable, you know damn well what’s assaulting your aural senses, but it’s the effortless finesse that such a hybridised mishmash is executed. Not that these Bostonians are attempting to forge gold from lead through some contrived reggae-black metal or similar hypothetical nonsense, it’s their genius smelting of a revolutionary yet idiosyncratic alloy: neo-thrash, a blistering tour-de-force of NWOBHM-meets-grind-meets-D-beat bound to a thrash carbon base, which, put in layman’s term, fucking rules.

As skin-thumping timekeeper Jonah Livingston elaborates, the push from a party thrash band releasing a 7” followed by touring to the contemporary beast we witness today was the laboured result of a forced pragmatism. “The biggest catalyst for us as a recorded band was losing a couple of band members two or three years ago,” he explains. “We used to jump at any chance to tour, like, ‘some dude wants us to play a fest in the middle of the woods in … Read More

Those youngsters love to cover their tracks don’t they? Not only have they chosen an, erm, questionable moniker but despite their Mexican passport and young age, Question are playing an unpolished yet mournful form of death metal that seems to have crawled out of the Tico-Tico studio circa 1991. “Indeed, we have certain affinity for the Finnish rottenness,” admits their 24-year-old bass player, Héctor. “But you can easily find that element in many of the old Mexican bands so it’s all connected. We are big fans of metal in general, and I think lots of styles are present in our music, not only Finnish death metal. The early ’90s scene is special to us because of its naivety though. If later on, the genre became jaded, back then it was still young, fresh and dared exploring many different areas.”

The band is based in Querétaro, 200 km North-West of Mexico City and where Disgorge or Hacavitz are also from. It was put together in the spring of 2010 by Héctor and guitar player Rodrigo: “The scene over here got boring lately, the new generation doesn’t have any ideas, nor dedication besides being ‘cool’. At least we have some good punk gigs … Read More

Dreams and visions have long inspired creative expression for ancient civilisations. The ritual trance, dance and journey to the underworld in all cultures was once deeply revered. Allowing oneself to become intoxicated by sensation to the point that it truly becomes the vessel of creativity is a bold and dangerous move.

Narcotics can open our eyes, break down barriers and allow us to melt into our own matter. I remember a night in Berlin watching a man so absorbed in ritual all I could see under the black hood were the whites of his eyes. 
Many musicians begin the shamanic dance, embracing drugs as a gateway to perception. However few manage to master the tempests of oblivion without becoming fucked.

 From his grandmother’s piano and the isolation of distant Auckland to the cemetery of Ross Bay… one voice has always been his guiding light… Vassafor!

What is the Vassafor demon made of, what is the space between the stars?

“It is dark matter… śūnya. The idea of anti-matter. Unlife. Bleached white sterility. The affinity with bones is the symbolism of not living inside time. We want to exist outside time… we want to transcend.”

Rites of ascension… in a dream… a robed figure on … Read More

Epic! That’s the word that kept creeping up for those few who knew about Ocean Chief. Sadly, for far too long, there wasn’t that many of ’em, as these Swedes were just too weird, with their repetitive brand of Viking-themed swampy doom, even though they featured former Dawn and Regurgitate drummer, Jocke Pettersson, on bass. To add insult to injury, besides minimal live activity, when their releases weren’t criminally limited nature would get in the way – such as hurricane Katrina, which destroyed most of the re-release copies of their ‘Oden Sessions’ demo back in 2004! But according to guitar player and founding member Björn Andersson, also of Vanhelgd, it’s all in the past now, as testified by the release of a new album (‘Universums Härd’) only a year after the previous one (‘Sten’). “The 2000s were different in the sense that we were a three piece that rehearsed frequently,” he admits. “In the early days, we used to smoke pot and just zone out without much thinking about arrangements or song length. But after the recording of our third full-length in 2009, we really felt something need to happen to keep the spirit alive, hence the addition of a … Read More

Having helped form Amon Amarth in 1992 and played on their debut EP and album, Anders Biazzi nevertheless chose to leave in ’98 to focus on his personal life. Only ten years later did the guitarist resurface, first with the gloriously old-school Blood Mortized and now with Just Before Dawn, a studio-project à la Probot. The formula is simple: first, a basic line-up – consisted of Biazzi, his BM compadre Gustav Myrin and Puteraeon’s Jonas Lindblood – record in his own studio what his creator calls with a wink “Streamroller death metal songs” about that immortal topic called war (“Mostly from the darkest times in the WWII but also from the future. We sometimes focus on a specific event, like the battle of the Bulge on the song ‘Bastogne’ or about the U-boats in the Atlantic with ‘As Death Breaks the Surface’ too.”) Then, various guest singers and drummers, “contacted through mutual friends or social networks”, pitch in, adding their own two cents to the recipe. With a total of twenty four (!) musicians involved, their second album ‘The Aftermath’ is an even more ambitious undertaking than its predecessor, ‘Precis Innan Gryningen’. It feels like a high-school reunion with Rick … Read More

Opinions always vary, which is why it’s difficult to say if metal is a festering domain of ageism or not. We’ll cheer Lemmy’s ability to defeat the Grim Reaper in a game of ‘Chicken’, collect mile-long discographies and excitedly praise reunions of ’80s favourites and obscurities. However, cynicism and scepticism rule when a bunch of kids come along who weren’t even born when Metallica was putting out good records. Finland’s Lost Society are one such youthful collective, but they’ve obviously studied thrash and crossover’s nuances and have poured those lessons into two furiously energetic and scorching albums – ‘Terror Hungry’ being their latest. Should it matter if they were the proverbial gleams in the eyes of two strangers during a bathroom tryst during a stop on the 1986 ‘Reign In Blood’ tour instead of actually at the show?

“The songs came the same way as usual, just jamming around riffs and so on,” explains guitarist/vocalist Samy Elbanna, sobering our conversation by discussing ‘Terror Hungry’s writing process. “The difference was the riffs became a bit more technical because we’ve progressed on our instruments. But we didn’t have any plans to make this-or-that kind of song; we just wrote 13 killer tracks that made … Read More

In this issue of Iron Fist we celebrate the legacies and careers of two bands responsible for the progression of extreme music as we know it; CELTIC FROST and MAYHEM. Both celebrate 30 years of existence this year and both are still dabbling in the dark arts; Tom G Warrior with TRIPTYKON and Mayhem with their new album ‘Esoteric Warfare’.

In our cover story, Thomas Gabriel Fischer talks to Jim Martin about what drove him to create Hellhammer and the early Frost demos and how those same inspirations are channelled into his current work, while Kim Kelly talks to Necrobutcher and Attila Csihar about the formation, and dogged survival, of one of the most important bands still playing and creating heavy metal music today.

Talking of dogged survival, we also talk to maidens of metal, DORO and Ann Boleyn of HELLION about how they started their respective bands, Warlock and Hellion, and how nothing will get in their way as they continue to make music three decades after they begun. Elsewhere in the magazine we talk to AT THE GATES about their forthcoming album and reveal details of new works by 40 WATT SUN, GEHENNAH, Gaz Jennings (ex-Cathedral) and Phil Swanson (ex-Hour … Read More