Weaving opulent soundscapes through the kaleidoscopic lens of epic doom and maudlin post-rock, Spirit Adrift, a secretive three-piece project released through Prosthetic Records, has sent the Iron Fist crew into horrific depths of despair and lifted them with shimmering hope with their first video for debut EP ‘Behind – Beyond’. After us badgering the label for any information about this crushing yet masterful release, they finally succumbed and let us stream this brand new video for our readers.
Conjuring the shades cast by Warning/40 Watt Sun and the masters of the heavy riffs from Black Sabbath to Pelican, ‘Behind – Beyond’ is a two-song EP crafted by musicians with a meticulous adoration of the more otherworldly aspects of doom metal’s 46 year reign. “The ideas behind Spirit Adrift, and the songs themselves, materialised on their own,” explains vocalist/guitarist, JK. “Our lives had become disastrous in the years leading up to the formation of the band. “Not to sound too melodramatic, but the discovery of these songs truly coincided with our own self-discovery and healing. The writing process was natural, maybe even unavoidable. Many of our biggest artistic influences, Tony Iommi for example, have claimed that they aren’t responsible for creating their art, they are simply unearthing … Read More
Boston thrashers RAMMING SPEED are back and have used their trials and triumphs of the road to hone their sound. AL BULMER asks JONAH LIVINGSTON about being the bastard child of Disfear and Thin Lizzy
It’s not that Ramming Speed’s Prosthetic debut ‘Destined to Die, Doomed to Destroy’ is unfathomable, you know damn well what’s assaulting your aural senses, but it’s the effortless finesse that such a hybridised mishmash is executed. Not that these Bostonians are attempting to forge gold from lead through some contrived reggae-black metal or similar hypothetical nonsense, it’s their genius smelting of a revolutionary yet idiosyncratic alloy: neo-thrash, a blistering tour-de-force of NWOBHM-meets-grind-meets-D-beat bound to a thrash carbon base, which, put in layman’s term, fucking rules.
As skin-thumping timekeeper Jonah Livingston elaborates, the push from a party thrash band releasing a 7” followed by touring to the contemporary beast we witness today was the laboured result of a forced pragmatism. “The biggest catalyst for us as a recorded band was losing a couple of band members two or three years ago,” he explains. “We used to jump at any chance to tour, like, ‘some dude wants us to play a fest in the middle of the woods in … Read More
Beware of masked men and strangers bearing knives. A murderous collective, fuelled by drug lust and naked disgust have risen from the North… and the East… and the West. They have no home base, per se, as much as one can imagine them hunkered down in some dank, cracked lair, plastered with lurid murder notices and decapitated starlets. I couldn’t even tell you how many of them there are. They’re fucking with you in those new promo photos, man – no one frame contains the same collection of bodies. The anonymous shtick is nothing new to metalloid scum or hip pretension machines, but with Dragged Into Sunlight, it actually seems fitting. The band thrives on chaos and is run entirely on dirty smoke, coke mirrors and painful feedback. Why should you care who they are? They don’t care about you. It’s DIS versus their audience, and they’ve brought a shiv to the gunfight.
“Dragged Into Sunlight comprises individuals of a very similar mindset and it is a very close knit collective. Anonymity comes with the territory,” according to the vocalist, a slip of a man with hooded eyes and a shifty demeanour. “DIS has no mandate for the reward sought by … Read More
US black metal has always suffered from a ‘Born Too Late’ mentality. Although Possessed undeniably had an influence on the second wave rage and bands like Judas Iscariot and Grand Belial’s Key flew the flag for Uncle Sam, the country has always been slow on the blackened uptake. Recently though Illinois has unleashed a darkened fury in the forms of bands like Nachtmystium, Avichi, Alehammer and now Black September. So, is Chicago the new Bergen?
“No,” is the sullen reply from guitarist Chris Morrow. “I don’t consider Black September a black metal band.” That angry answer is the most black metal response we’ve heard this issue, so we’ll beg to differ, but listeners can decide what genre, if any, BS have to be tethered to after spinning new album ‘Into Darkness’, which summons a dissonance of black metal, Stockholm death metal and English crust.
“We had so many ideas going into this record,” Chris admits. “We started writing soon after the last LP was released, we wanted to start this album exactly where we left off with the last one. ‘The Forbidden Gates Beyond’ had nothing to hide. It was unrefined and to the point. We wanted to add another level of depth … Read More
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