Iron Fist Magazine


Doom rock legends The Obsessed (Maryland, USA), led by the infamous Scott “Wino” Weinrich (Saint Vitus, Spirit Caravan, Place of Skulls, The Hidden Hand and W.I.N.O.), formed in 1976. The band have split up and reformed numerous times, first splitting in 1986 when Wino joined Saint Vitus, but reformed four years later and released two very influential albums via the Hellhound Records label and Colombia that are regarded as classics – namely ‘Lunar Womb’ and ‘The Church Within’. After releasing three albums (including the self-titled that was originally recorded in 1985), The Obsessed broke up for a second time in 1995.

Wino reappeared on the scene a few years later with Shine who later became Spirit Caravan and released a demo as well as a couple of albums and EPs, touring Europe and the UK twice in 1999 and 2000. The band called it quits soon after and Wino pursued other projects for quite a while before reforming Spirit Caravan and rejoining Saint Vitus for another stint, which included a new album, 2012’s ‘Lillie F-65. their first since the 1995 album ‘Die Healing’. Some heavy touring culminated in Wino being arrested for drugs possession at the Norwegian border on the way … Read More


Pilgrim are in an unusually strong position for a band of their age. Guitarist, vocalist and songwriter The Wizard is just 22-years-old; drummer Krolg Splinterfist, Slayer of Men, just turned 23. Their live bassist, who goes by Bradoc the Barbarian, is the oldest at 24. Despite this, their 2011 ‘Forsaken Man’ demo caught the ear of Primordial front man A.A. Nemtheanga, they’ve unveiled two splits with Ice Dragon and Gypsyhawk, and are on the verge of releasing their sophomore outing ‘II: Void Worship’, the second of four records they owe to Metal Blade. In 2013 they appeared on the Roadburn lineup, and before this issue hits the stands they will have embarked on a three-week tour with Spirit Caravan. Their origins are humble, their love for the trudging doom genre they operate within is palatable, and their progression from their debut, ‘Misery Wizard’, is impressive.

“When I was in high school, two years before I started Pilgrim, I fucking hated metal. Me and Krolg thought that metal was the stupidest thing. It’s a bunch of chauvinistic men, muscled out dudes, playing this stupid brutal music,” recalls The Wizard, laughing. He spends over an hour on the phone with Iron Fist being … Read More


With albums from Atlantean Kodex, Argus and Age Of Taurus riding high in our albums of the year lists, and of course the final ever album from the true masters, Cathedral, it seems that traditional doom, steeped in the roots of heavy metal, is, once again, genre du jour, and now Esslingen’s Mountain Throne are joining the ranks with their debut album ‘Stormcoven’ on Cyclone Empire. Forming in 2009 guitarist A tells Iron Fist that he, “always wanted to have a band playing this ancient kind of metal” and had been writing songs in that vein for years. Drummer J joins A in the doom band Mirror Of Deception, while cracking singer F and bassist S are in the power metal band From Beyond, so the cachet is hot for this German four-piece. When asked what attracted them to the traditional doom genre, A says firmly, “It’s the choice of champions really, isn´t it? There is a sense of a tradition… knowing where things came from and how they developed. Real heavy metal and classic hard and heavy rock are incredibly soulful. In real metal you definitely have that spirit. For me, this magic is epitomised in the songs of … Read More


It was so good to have KING DIAMOND back on British soil this weekend… and it’s good to have the King on the cover of Iron Fist issue 6. When we started this magazine a year ago (yep, we can’t believe it either!) it was always our dream interview and with the 30th anniversary of ‘Melissa’ coming up (we can’t believe that either!) Damien spoke to the man himself about his whole career, from Brainstorm to Bloodstock… he even hinted at a possible Fate reunion… we live in hope!

Putting issue 6 together was carnage, we must admit. It’s festival season, which means that most of our team were lying face down in a field somewhere in Europe rather than tethered to our keyboards, but we managed it – despite insane hangovers from Muskelrock, Metallsvenskan, Bang Your Head or Hell’s Pleasure.

In this issue we’ve tied down some in-depth exclusive interviews with cult Italian masters DEATH SS, British thrash overlords ONSLAUGHT and death dealers EXHUMED. Olivier ‘Zoltar’ Badin also spoke to both Chritus Linderson and Scott Reagers (who NEVER does interviews) about two SAINT VITUS albums that he believes deserve more attention.

We’ve also got interviews from RAMMING SPEED, CAUCHEMAR, GORGUTS, BESTIAL MOCKERY’S … Read More


Scott ‘Wino’ Weinrich and SAINT VITUS… ubiquitous, right? Wrong! According to Iron Fist’s resident doom archivist OLIVIER ‘ZOLTAR’ BADIN the sole album with CHRITUS LINDERSON and the final album from original singer SCOTT REAGERS deserve a place in the hallowed halls of metal just as much as ‘Born Too Late’…

There’s a black hole in Saint Vitus’ story. No, not the early days when spat on by punks and metalheads alike in the mid-’80s at low-key shows in shitty clubs, where they still delivered the goods and released all-time classics like ‘Saint Vitus’ or ‘Born Too Late’. Nor during that 12 years silence when their legend kept growing, despite the band’s lack of activity. We’re actually talking here about the first half of the ’90s when everybody seemed to be against them, including their core fanbase and even of some their own former members. Sitting in the accusation chair is 1992’s ‘C.O.D.’ and 1995’s ‘Die Healing’: while the first has gained the rare status of being their less-revered album, right next to ‘Mournful Cries’, the second split opinions with the return of their melodramatic original singer Scott Reagers and it’s very-metal production. The fact that the latter would turn out to … Read More


Ex Vitus and current Lord Vicar mainman Christian Linderson is back with some new stoner jams. Olivier ‘Zoltar’ Badin worships the Goatess.

“Based on my past experiences, some people may believe that I’m hard to work with, whereas it couldn’t be more the opposite. I love playing in bands and the camaraderie that goes along with it,” stresses Christian ‘Chritus’ Linderson with a grin. However, one could easily underline that ever since Count Raven’s debut ‘Storm Warning’ came out in 1990 the man has never had the chance to put out more than two albums with the same band! So far that is, as he’s been working lately on the third Lord Vicar third full-length with former Reverend Bizarre Kimi ‘Peter Vicar’ Kärki. But when asked about his other current active band Goatess, he says that he sees it as, “first and foremost, a bunch of long-time friends who just love doing music together and plan to keep doing so for many years.”

The band started off in 2009, first as Weekend Beast, with just him and guitar player Niklas “jamming out ideas for the sake of it.” “We hit it off so well together that the music started to flow very easily,” … Read More


Something wicked this way comes, billowing down from the decaying North on winds of plague…or of genocide, as the case may be. Visions of nuclear fallout and apocalyptic raids summon wrenching flashbacks for some, and provide lyrical fodder for others; Durham’s Winds Of Genocide have always fallen into the latter camp, but now, with death/doom project Uncoffined, two of its members have ventured further afield, beyond the outskirts of Chernobyl and down along the cemetery road.

 “The band formed officially in early 2011 after myself and Glynn [Alkohall, guitars] started jamming on doom riffs during breaks at Winds Of Genocide rehearsals, where I would jump behind the drumkit and we would start jamming on Vitus riffs,” Kat Shevil explains. “I personally have always loved the dark, evil, morbid vibe of a lot of the bands who blend such a mix of traditional doom and ancient death metal together, it has a certain atmosphere in it that other styles do not possess, plus the crushing heaviness of such music has always attracted me to it. We are definitely much more inspired by the old school doom metal stuff, old Black Sabbath etc, but there is some ancient death metal, death/doom, Hellhammer, old … Read More

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