Pinpointing a certain sound to a geographical place has become almost impossible, mainly thanks to the internet and how it globally manipulates trends. So, it may be with some skepticism that people would meet WHIPSTRIKER, a Brazilian band. If someone told you that some of the most brutally honest metalpunk came from Rio, albeit tinged with the elixir of the metal gods, you’d probably tell them the next classic TNBM record would come from rural Ireland. However, living in Rio seems like living out a Discharge lyrics sheet, and Whipstriker mainman VICTOR took time out from his hectic recording schedule to talk about metal and life in Rio’s favelas. Historians can write what they like in their textbooks, but musicians (usually) tell the truth in their songs…
How did you get the name Whipstriker exactly? Victor Whipstriker: “I really don’t remember. I … Read More
Disgusting, crust-ridden speed thrash. From the North of England. Utter scum. We can’t get enough. Al Osta (vocals), Oliver Turner (guitars), Callum Cox (drums) and James Lawrence (bass) admit they have a “penchant for all things heavy and fast” but that’s an under-fucking-statement, for sure. With a nod from Fenriz on his blog, Satanic Dystopia are heading for the big smoke and Live Evil Festival. “We were nothing more than some frosty dudes bonding over a few choice bands whilst yearning to play evil and fast music,” they admit of their formation. “It clicked from the off and we just started writing. Satanic Dystopia was birthed into this wretched world.
“It invokes the feeling of post-apocalyptic wastelands and horror, something all good thrash is about,” they continue of the name choice. “The song titles and lyrics give the feeling of total annihilation and violence, something that will play a big part in our artwork and overall aesthetics.”
Cult movie fans, SD write songs like ‘Double Denim Shotgun Massacre’, admitting that “the band is all about paying homage to films of lesser quality, but brilliant films in their own right. There is an incredible world of crazy horror, sleaze and action beyond the … Read More
“We got drunk with Satan, man! It was pretty cool.” You read Iron Fist, so the fact that Ryan Waste of trad metallers Volture is referring to the NWOBHM legends and not the dark overlord surely doesn’t make this story any less enticing. “Wings Of Metal in Montreal, that’s the festival I just came from,” he elaborates. “Me and Nick [Poulos, guitars], we flew up there as fans just to go hang out, see Satan and Manilla Road and a bunch of my friends’ bands like Midnight and Goat Horn. It was amazing.” Waste and Poulos are the partnership at the heart of Volture: a pretty amazing band with a pretty amazing story. That story kinda begins a long time ago, when Waste was in his early 20s, had just started out with Municipal Waste (they hadn’t blown up yet) and decided to try to fulfil a lifelong dream: playing in a traditional heavy metal band. “It’s something I’ve always wanted to do, but you know, I hadn’t found the guy with the ‘voice’. Brent had that amazing, falsetto voice. I was like: man, you need a band! I didn’t even know the guy, I just heard him sing. I was like: we need … Read More
The thrash boom has moshed back to obscurity, but it’s separated the wheat from the chaff in terms of the bands worth giving the time of day. Yorkshire’s EVILE are now on album number four, and with a heavier, more Entombed influence, they tell LOUISE BROWN that they ain’t going anywhere…
The bubble has well and truly burst. And thank fuck, some of you might say. In the mid-2000s it was rad to wear hi-tops, chug beer bongs and sing about zombies. You couldn’t move at metal shows for freshly patched jackets and trucker caps with the flap riding high, but as the new decade dawned the Bay Area beatification died down and the metal labels stopped pecking at the carcass of thrash. Many of those bands hailed as the second-coming of Slayer have disappeared without a trace, drinking their own toxic kool-aid and Milano moshing back from whence they came. But some, like Yorkshire’s Evile have not only stood their ground, but have proven that, four albums in, they were never a novelty throwback thrash band in the first place. Forget the trends, Matt Drake, his guitarist brother Ol, Ben Carter and Joel Graham (who joined in 2009 after the tragic death … Read More
Kurt Brecht is man whose lungs have earned him his name firmly carved into the walls of crossover thrash history and as 2012 heralded DRI’s milestone 30th birthday, the band, fronted by Brecht toured the globe in celebration. However, as the band have decided against recording any new music the dirty rotten singer has gotten himself embroiled in a side project, Pasadena Napalm Division. Taking their name from their Texan hometown and not the Californian suburb, PND were founded back in 2008 when local Houston death thrashers Dead Horse split and were looking to form a new band. Guitarists Greg Martin, Scott Sevall and drummer Ronnie Guyote set about recruiting bassist Bubba Dennis who’d served time in Texan/SF hardcore punks Verbal Abuse and when they heard Kurt was back in Houston on downtime while DRI guitarist Spike recovered from cancer surgery he was the obvious guy to get on board.
Brecht’s spoke of his choice to join PND saying; “I listened to the songs they had and realised that it wouldn’t be too hard to write some lyrics for them. The guys in the band all seemed really nice too. I’d never jammed with anyone outside of DRI before, except … Read More
It seems fitting that in the same issue that we celebrate the legacy of Voivod that we also delve deep into DECEPTOR, a power trio from London, England. Though not musically similar to the Quebecois maniacs, there is a direct line between Voivod’s dystopian vision and Deceptor’s. Newly signed to Shadow Kingdom and with a new album ‘CHAINS OF DELUSION’ ready to be unleashed onto an unsuspecting world, Sam Mackertich (guitars, vocals – with a scream to beat Halford’s!), James Ashbey (drums) and Paul Fulda (bass, vocals), are injecting new RAM into thrash’s overloaded motherboard.
Having formed in 2005, you pre-empted, supported and have now outlived the mini UK thrash boom. Do you miss the scene’s peak? James: “I miss the sense of community and the great times that were had amongst friends. The scene at large never had a huge amount to say musically, and those bands who were simply rehashing an already cloistered sound have predictably fizzled out, but I still value all the friendships that resulted from those years.”
You must be happy with, might we say excellent, new release ‘Chains Of Delusion’ and the Shadow Kingdom deal? Sam: “The stars really aligned for us, we managed to record the EP … Read More
VOIVOD + DOOM LONDON GARAGE Tonight is all about surprises. Special guests Doom surprise by delivering a digestible set. Firmly crust – they lack the necessary graft and craft to be grind – it’s nonetheless obvious why these British veterans influenced so many. Loud and explosive, a battering attack of dreadlocks, black and white newspaper cuttings and walls of guitar noise regularly overloading into feedback, Doom are one noise, one moment in time regurgitated for remembrance. Our headliners are something else. Their creative endeavours now span four decades and still they surprise. Opening with the primal scream of ‘Voivod’, they begin on a chronological path, pulling out rarely aired numbers ‘Ripping Headaches’ and ‘Forgotten In Space’ early, before unveiling the title track to the forthcoming ‘Target Earth’ and later strumming out the recently unleashed ‘Mechanical Mind’. Snake is in fine voice, perhaps his finest since rejoining Voivod a decade ago. ‘The Prow’ (from 1991’s divisive ‘Angel Rat’) evidences this early, but it is after he announces, “We have a surprise for you,” that things really get incredible.
An air of mystery lingers, Snake bows his head – and for a minute, it’s as if Voivod have decided to go drone. Then it hits. … Read More
Sweden’s latest offering of death comes from the mysterious Vampire, a three-piece that recently released its debut self-titled demo tape via Ljudkassett (which sold out in a matter of days). For a band that had no presence prior to the month of September, vocalist/drummer Hand of Doom sheds some light.
“[Guitarist] Black String and I started making music around 2009 with no idea of what we wanted to achieve. After a year or two downing beers and switching instruments, [bassist] Command came along.
“We pre-loaded for the Slayer/Metallica gig at my place and listened to Necrophagia’s impossibly ugly ‘Young Burial’ off New Renaissance’s sampler, ‘Thrash Metal Attack’, which made us agree: this is it. We soon wrote the songs on the demo, which were recorded in April, and hooked up with Ljudkassett during the beginning of summer.”
On their first assault, you will find Possessed-like riffing and Celtic Frost-y grooves, but don’t discredit this three-track tape as a mere tribute.
“Death metal is another form of metal that must be aware of its origin and not strive too far away in order to keep its appeal,” explains the frontman. “However, there’s a difference between influence and inspiration.”
“During the sessions, I was heavily into this … Read More
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