Forming in 2006, six years after the dissolution of the Swedish hard rock band, Norrsken (who also featured Magnus Pelander of Witchcraft), Graveyard have been on the forefront of the classic rock revival. Four albums in – with the most recent entitled ‘Innocence & Decadence’, perhaps a titular nod to the era of music they heartily worship – the band made up of Joakim Nilsson (guitar/vocals), Jonathan Ramm (guitar), Truls Mörck (bass) and Axel Sjöberg (drums) may have been part of the force behind the current resurgence in rock roots but, as Joakim tells us over a pint, there’s no chance of them slowing down. “We have a lot to do still,” he insists, getting riled at the idea that the band may have lost some of that innocence bands have when they form. “When we started out, we were naive and didn’t know what we were doing, and that can be a really good thing. That’s why there are so many great first records but at the same time, you can get that feeling back.”

That’s what the band have done on their latest album but there is one stand-out track, ‘The Apple & The Tree’, that deviates from their … Read More

Initially a part of the Crusher Records (Spiders, Dead Man, Troubled Horse) roster, Horisont were originally perceived as another of those retro-rockers from Sweden, seemingly happy to surf on the nostalgia wave and have an excuse to wear bell-bottomed jeans. Except that there’s always been something a tad weirder and out-there with them and not just due to their occasional Swedish lyrics. Still, many will be surprised by their fourth full-length ‘Odyssey’, a 65-minute tour-de-force that sees them coming out of their shell and heading for the stars with space rock and classic prog influences abound and a solid dose of vintage synthesizers. Blasphemy? No, a simple and very human longing for evolution says their frontman Axel Söderberg.

Two years ago when you promoted your third full-length ‘Time Warriors’, you made no secret that it was style-wise very close to its predecessor and your Rise Above debut, ‘Second Assault’. Yet ‘Odyssey’ doesn’t follows the same pattern does it? “Indeed as the previous two full-lengths were kind of made in a rush. Don’t get me wrong, they’re great as they are but after ‘Time Warriors’ we knew right away that we would need more time for the next one so we could do the … Read More

In 1984, as the nascent thrash scene was bursting out of its Bay Area base, north of the border a young guitar virtuoso by the name of JEFF WATERS was discovering heavy metal via KISS, Sweet and… disco. Two years later he would record a demo called ‘Phantasmagoria’ that would launch his band from Vancouver bedroom to Roadrunner Record’s world stage. But Jeff himself would pass the microphone to Randy Rampage and from thereon seven vocalists would shuffle through the ranks. Thirty years later Waters has not only returned to the mic but right back to that life-changing demo for inspiration. It’s been a career of highs and lows but could ‘SUICIDE SOCIETY’ see ANNIHILATOR back on top?

“I have chosen you my friend, you’re mine Locked inside this frightening dream Nowhere to hide Every night my demons you will see An apparition festival, through hell you’ll ride”  ‘Phantasmagoria’ 1986 demo

…On how disco rocked his world “When I was a teenager, even before that, ten-years-old, it was disco and that’s my earliest memory of music. Then out of that there was ‘I Was Made For Loving You’ by KISS and this Rod Stewart song ‘Do You Think I’m Sexy’. I remember these two bands from when I … Read More

Bruce Dickinson tells This Is Rock that it was Steve Harris who came up with the idea of basing the next Iron Maiden opus on the Mayans but it was Dickinson himself who wrote the opening track ‘If Eternity Should Fail’. In fact, he’d written it for an upcoming solo album, but when Harry heard it he knew he wanted it to open ‘The Book Of Souls’. And it’s so perfect, because if ‘The Book Of Souls’ is Maiden marching upon the Mayan ruins of Mexico, then it’s this opening number that will take them there with its eerie introduction, luring you once more to “Speak with the Shaman again”, travelling down a desert path to the Mexican border, through desolate Texan ghost towns, followed by a supernatural mariachi band. This is Iron Maiden perhaps at their bluesiest, this is their crossroads, this is where they swap their souls for passage to their next great achievement (of which there have already been so many). When the guitars kick in and that infamous galloping rhythm takes control you are immediately entranced by the Shamanistic Eddie of the album’s front cover. Iron Maiden have always been magical, possessing the voodoo to make … Read More

Better by name and better by nature, the occult clergy known as GHOST are back with their new album ‘MELIORA’, but have they left their underground spirit behind on album number three? The NAMELESS GHOUL doesn’t think so, and tells LOUISE BROWN that their rebellion against religion, society and the constraints of the scene that birthed them inspires them even more than ever

When we put Ghost on our cover of issue #4, two years ago, we already talked about them in terms of being “our band”, but “not for long”. The mysterious entity, who began their mission in 2010 with a 7” on the cult underground doom label, Iron Pegasus were quickly signed to Rise Above for their debut, ‘Opus Eponymous’ and the rest, as the cliché goes, is history. Going from strength to strength the band were hailed as a favourite of members of Metallica and Foo Fighters and signed onto Slayer’s management company. They left the underground in their dust, but not its ethos, not its attitude and certainly not its rebellious heart.

With a third album ‘Meliora’ (latin for “better”, an apt name indeed) out this summer, sounding more avant garde tinged AOR than true doom, we met … Read More

Formed as a result of a drunken party, ACID KING existed in the brain of vocalist and guitarist LORI S long before she met her musical companions. Her singular vision has not waned since and 20 years after inception she is still searching for the CENTER OF EVERYTHING

“I’ve had too many shitty beers for any words of wisdom!” laughs Lori S, vocalist and guitarist of doom band Acid King after their show at Desertfest London. Right from the beginning it’s apparent that this vibrant and charismatic woman has a no nonsense attitude that she carries over into her approach to music. From Acid King’s very beginnings in the early 1990s Lori was the driving force behind its inception, with a clear vision of what she wanted and where she wanted it to go. The tenacious frontwoman had even picked a name before she’d even thought about band members; “I read this book called ‘Say You Love Satan’ – a true crime book – and there was a bit about Ricky Kasso. I remember on one of the pages, which we have a song about (‘One-Ninety-Six’), it said ‘Nobody messes with the Acid King!’ When I read that, I said ‘I’m … Read More

Besides knowing that Argentina was a big producer of wine and steak, I was completely ignorant of what was going on in the country before visiting it. It’s kind of embarrassing, but the only band I knew from the country was the primitive but evil demo band Retrosatan. However, I quickly found out that the country historically had some of South America’s best heavy rock and traditional metal bands, and discovered some amazing gems (notably ‘Pappos’ Blues Volumen 3‘ and V8’s ‘Luchando Por el Metal’) that have became some of my favourite albums ever. I also was shocked at the diversity of the landscapes encountered during the trip – especially the insanely beautiful multi-coloured mountains in the north of the country and its large canyons! I was not able to find many gigs to go to, or even too many albums to purchase, but I did catch the Argentinian stoner-doom band Dragonauta play a gig in Buenos Aires… at 3 in the morning, which seemed like a normal hour to play over there. Anyway, one key person I connected with while traveling in Argentina was Eric (Nocturnal Profaner of the bands Infernal Curse/Xenotaph and the editor of Baphometal fanzine). … Read More

A lot of metal bands have an unconventional tale of how they began, but it’s fairly certain that Durham’s Winds of Genocide are the only group that can boast it being put into motion by a bang on a window. “We officially formed in early 2006, as a two-piece, but it took us until 2009 to find a drummer and begin actively rehearsing,” vocalist Kat Shevil tells us. “A Swedish guy called Linus, studying at the university here, drunkenly walked past my flat one night and saw the Skitsystem sticker on my bedroom window. He banged on my living room window and we ended up going to the local pub for a pint. We soon realised that we had not just a mutual love for crust punk but also for death and black metal; about four months later we were writing our first songs with him on drums!”

Linus has since departed the band, replaced by Ian Hunter and, in the last nine years, the four-piece have put out a demo and an EP, as well as two splits with Abigail and Firstblood, Diskelmä and Satellite. About to release their debut album ‘Usurping The Throne Of Disease’, Kat and co’s self-proclaimed … Read More

“I lost my job in Sweden and I decided to just go and try to find myself.” Blues Pills singer Elin Larsson was 21 when she made that decision. She packed a bag, left her hometown and followed the trail to Laurel Canyon, a journey taken by many in the ’60s, heading West to where music was at the heart of LA’s counter-culture. But this wasn’t 1967, this was 2011. When Joni Mitchell sung the words “I am on a lonely road, and I am travelling. Looking for the key to set me free” she had no idea how decades later voiceless girls with songs in their hearts would head down the same road, with the same yearning to be heard.

“I had this picture of California,” Elin says, sitting in a London pub, in awe of the opportunities given to her since that fateful trip. “I liked all the awesome bands that once were there; like Janis Joplin. The ’60s there were so cool. I thought I always wanted to go there. I always wanted to see California.”

Once in LA it wouldn’t take long for Elin to meet drummer Cory Berry and bassist Zack Anderson, although the shy Swede won’t admit … Read More

Boston thrashers RAMMING SPEED are back and have used their trials and triumphs of the road to hone their sound. AL BULMER asks JONAH LIVINGSTON about being the bastard child of Disfear and Thin Lizzy

It’s not that Ramming Speed’s Prosthetic debut ‘Destined to Die, Doomed to Destroy’ is unfathomable, you know damn well what’s assaulting your aural senses, but it’s the effortless finesse that such a hybridised mishmash is executed. Not that these Bostonians are attempting to forge gold from lead through some contrived reggae-black metal or similar hypothetical nonsense, it’s their genius smelting of a revolutionary yet idiosyncratic alloy: neo-thrash, a blistering tour-de-force of NWOBHM-meets-grind-meets-D-beat bound to a thrash carbon base, which, put in layman’s term, fucking rules.

As skin-thumping timekeeper Jonah Livingston elaborates, the push from a party thrash band releasing a 7” followed by touring to the contemporary beast we witness today was the laboured result of a forced pragmatism. “The biggest catalyst for us as a recorded band was losing a couple of band members two or three years ago,” he explains. “We used to jump at any chance to tour, like, ‘some dude wants us to play a fest in the middle of the woods in … Read More